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The central scene of this altarpiece depicts the enthroned Madonna and Child flanked by angels. The Christ Child holds a tiny European goldfinch, a symbol of his resurrection. The bird is tethered, a reminder that, in the 14th century, such animals were kept as pets by children. Angels present Mary with chalices of white flowers, alluding to her purity. On the left appear the Annunciation and the Crucifixion, while Christ's Presentation in the Temple and the Coronation of the Virgin are on the right.The delicate punch-work decoration and the slender, graceful figures reveal the influence of Sienese painting. Catalan artists learned the style and techniques of Italian painting by examining imported Italian works in local churches; some even traveled to Italy to perfect their craft.

Page data

Page
21
Source index
0
Type
photo
Media ID
52c54d918d753649
Size
unknown

Document data

ID
1582
Core
obj
Type
drawing
DTO data
{
    "id": "1582",
    "sourceUrl": "https://purl.thewalters.org/art/37.468",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Virgin and Child, with the Crucifixion and the Annunciation, and the Coronation of the Virgin and the Presentation in the Temple",
    "description": "The central scene of this altarpiece depicts the enthroned Madonna and Child flanked by angels. The Christ Child holds a tiny European goldfinch, a symbol of his resurrection. The bird is tethered, a reminder that, in the 14th century, such animals were kept as pets by children. Angels present Mary with chalices of white flowers, alluding to her purity. On the left appear the Annunciation and the Crucifixion, while Christ's Presentation in the Temple and the Coronation of the Virgin are on the right.The delicate punch-work decoration and the slender, graceful figures reveal the influence of Sienese painting. Catalan artists learned the style and techniques of Italian painting by examining imported Italian works in local churches; some even traveled to Italy to perfect their craft.",
    "provenance": "Henry Walters, Baltimore, 1931 [mode of acquisition unknown];  Walters Art Museum, 1931, by bequest.",
    "date": "ca. 1340-1348 (Medieval)",
    "citationUrl": "https://purl.thewalters.org/art/37.468",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
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        "triptychs",
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    "thumbnailUrl": "https://art.thewalters.org/images/art/PS1_37.468_ATCtrDetB_DD_T11.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PS1_37.468_ATCtrDetB_DD_T11.jpg",
    "imageCount": 33,
    "pageCount": 41,
    "source": "import",
    "dimensions": [
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            "height": 184,
            "depth": 4
        }
    ],
    "dimensionsRaw": "H: 50 1/4 × W: 72 7/16 × D: 1 9/16 in. (127.6 × 184 × 4 cm); Left panel H: 50 1/8 × W: 17 15/16 × D: 1 9/16 in. (127.3 × 45.6 × 4 cm); Center panel H: 50 1/16 × W: 36 1/8 × D: 1 3/8 in. (127.2 × 91.7 × 3.5 cm); Right panel H: 50 1/4 × W: 18 × D: 1 7/16 in. (127.6 × 45.7 × 3.6 cm)",
    "style": "Gothic"
}

Context sent to Scholar

Document identity
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    "localId": "1582",
    "label": "Virgin and Child, with the Crucifixion and the Annunciation, and the Coronation of the Virgin and the Presentation in the Temple",
    "core": "obj",
    "dtoType": "drawing",
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}
Document source metadata
{
    "id": "1582",
    "sourceUrl": "https://purl.thewalters.org/art/37.468",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Virgin and Child, with the Crucifixion and the Annunciation, and the Coronation of the Virgin and the Presentation in the Temple",
    "description": "The central scene of this altarpiece depicts the enthroned Madonna and Child flanked by angels. The Christ Child holds a tiny European goldfinch, a symbol of his resurrection. The bird is tethered, a reminder that, in the 14th century, such animals were kept as pets by children. Angels present Mary with chalices of white flowers, alluding to her purity. On the left appear the Annunciation and the Crucifixion, while Christ's Presentation in the Temple and the Coronation of the Virgin are on the right.The delicate punch-work decoration and the slender, graceful figures reveal the influence of Sienese painting. Catalan artists learned the style and techniques of Italian painting by examining imported Italian works in local churches; some even traveled to Italy to perfect their craft.",
    "provenance": "Henry Walters, Baltimore, 1931 [mode of acquisition unknown];  Walters Art Museum, 1931, by bequest.",
    "date": "ca. 1340-1348 (Medieval)",
    "citationUrl": "https://purl.thewalters.org/art/37.468",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
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        "triptychs",
        "paintings"
    ],
    "iiifBase": "https://art.thewalters.org/images/art/PS1_37.468_ATCtrDetB_DD_T11.jpg",
    "thumbnailUrl": "https://art.thewalters.org/images/art/PS1_37.468_ATCtrDetB_DD_T11.jpg",
    "largeImageUrl": "https://art.thewalters.org/images/art/PS1_37.468_ATCtrDetB_DD_T11.jpg",
    "imageCount": 33,
    "pageCount": 41,
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    "dimensions": [
        {
            "units": "cm",
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            "depth": 4
        }
    ],
    "dimensionsRaw": "H: 50 1/4 × W: 72 7/16 × D: 1 9/16 in. (127.6 × 184 × 4 cm); Left panel H: 50 1/8 × W: 17 15/16 × D: 1 9/16 in. (127.3 × 45.6 × 4 cm); Center panel H: 50 1/16 × W: 36 1/8 × D: 1 3/8 in. (127.2 × 91.7 × 3.5 cm); Right panel H: 50 1/4 × W: 18 × D: 1 7/16 in. (127.6 × 45.7 × 3.6 cm)",
    "style": "Gothic"
}
Document source extras
{
    "cul": "Spanish",
    "med": "tempera and gold leaf on panel",
    "creator_ids": [
        "15245",
        "16223"
    ],
    "collection_ids": [
        "MED"
    ],
    "exhibition_ids": [
        "2064"
    ]
}
Page context
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    "type": "photo",
    "url": "https://art.thewalters.org/images/raw/PS1_37.468_ATLftDetH_DD_T11.jpg",
    "mediaId": "52c54d918d753649"
}