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Source Description
Daubigny's loose, spontaneous brushwork and rich use of color provide a direct link with the work of the impressionists. Like his younger colleagues, he was also regularly criticized for producing mere "impressions" rather than more detailed, polished views of nature. This vibrantly colored scene dates from 1874, the year of the first impressionist exhibition.
Scholar Source Context
Document identity
localId
17220
label
The Coming Storm; Early Spring
core
obj
dtoType
drawing
citationUrl
pageCount
4
Source metadata
id
17220
sourceUrl
contentType
drawing
stage
normalized
title
The Coming Storm; Early Spring
description
Daubigny's loose, spontaneous brushwork and rich use of color provide a direct link with the work of the impressionists. Like his younger colleagues, he was also regularly criticized for producing mere "impressions" rather than more detailed, polished views of nature. This vibrantly colored scene dates from 1874, the year of the first impressionist exhibition.
provenance
Purchased by William T. Walters (through George A. Lucas as agent), Baltimore; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.
date
1874
citationUrl
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
oil paintings (visual works)
panel paintings
imageCount
4
pageCount
4
source
import
dimensions
units
cm
width
44.4
height
69.4
dimensionsRaw
H: 17 1/2 x W: 27 5/16 in. (44.4 x 69.4 cm); Framed H: 31 1/16 × W: 40 1/2 × D: 5 1/2 in. (78.9 × 102.87 × 13.97 cm)
Source extras
inscriptions
[Signature] In brown paint at lower right: Daubigny; [Date] In brown paint at lower right: 1874
med
oil on panel
creator_ids
6433
collection_ids
EAN
exhibition_ids
1955
2113
2159
631
2297
335
366
2749
3300
3352
Page inventory
seq
1
type
photo
mediaId
563447cfdb2effe5
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
e485f6ef4e6837d6
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
e290b9dc65e0a65d
hasOcr
no
hasDescription
no
seq
4
type
photo
mediaId
0c4c70a2f2c4c3cd
hasOcr
no
hasDescription
no