Ask the Scholar

Document scope · 2 pages
obj
Scholar
Ask about this object, its catalog metadata, its source description, or the page inventory. For page-specific OCR and visual context, open one of the page chats.

Source Description

Though he frequently posed as a southern gentleman from Baltimore, Whistler was born in Lowell, Massachusetts, and, together with George A. Lucas (1824-1909), attended the West Point Military Academy. He later trained in Paris in the studio of Charles Gleyre, where he befriended the realists Gustave Courbet and Edouard Manet, as well as the future impressionists Claude Monet, Edgar Degas, and Henri Fantin-Latour. In 1859, Whistler moved to London, abandoned Realism, and developed his own tonalist style of painting that used muted colors and reflected the influences of Japanese art and of the art of Diego Velázquez (1599-1660).In this portrait Whistler depicts Lucas, the Paris based art collector and agent who played a significant role in shaping the collection of William T. and Henry Walters. The handwritten note by Lucas attached to the back of the picture gives the length of the sitting as two days, on the 22 and 23 August 1886, at Lucas's country house at Boissise-la-Bertrand, near Paris.

Scholar Source Context

Document identity
localId
18862
label
Portrait of George A. Lucas
core
obj
dtoType
drawing
pageCount
2
Source metadata
id
18862
contentType
drawing
stage
normalized
title
Portrait of George A. Lucas
description
Though he frequently posed as a southern gentleman from Baltimore, Whistler was born in Lowell, Massachusetts, and, together with George A. Lucas (1824-1909), attended the West Point Military Academy. He later trained in Paris in the studio of Charles Gleyre, where he befriended the realists Gustave Courbet and Edouard Manet, as well as the future impressionists Claude Monet, Edgar Degas, and Henri Fantin-Latour. In 1859, Whistler moved to London, abandoned Realism, and developed his own tonalist style of painting that used muted colors and reflected the influences of Japanese art and of the art of Diego Velázquez (1599-1660).In this portrait Whistler depicts Lucas, the Paris based art collector and agent who played a significant role in shaping the collection of William T. and Henry Walters. The handwritten note by Lucas attached to the back of the picture gives the length of the sitting as two days, on the 22 and 23 August 1886, at Lucas's country house at Boissise-la-Bertrand, near Paris.
provenance
George A. Lucas, Baltimore; Henry Walters, Baltimore, 1908, by gift; Walters Art Museum, 1931, by bequest.
date
1886
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
paintings
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
21.7
height
12.5
dimensionsRaw
H: 8 9/16 x W: 4 15/16 in. (21.7 x 12.5 cm); Framed H: 16 5/16 × W: 12 13/16 × D: 2 3/8 in. (41.5 × 32.5 × 6 cm)
Source extras
inscriptions
[Hand written note] On back of picture: My portrait painted / in 2 sittings by / Whistler at / Boissise-la-Bertrand / France / 22 & 23 August / 1886 / [signed] G. A. Lucas.
med
oil on panel
creator_ids
2099
collection_ids
EAN
exhibition_ids
2160
484
2655
2961
3271
3607
Page inventory
seq
1
type
photo
mediaId
be537499304b7d8c
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
34405bf429bdb8a6
hasOcr
no
hasDescription
no