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Source Description
The saints Florus and Laurus, twin stonemasons born in Constantinople, were martyred in Ilyria in the second century, reportedly for consecrating as a Christian church a pagan temple that they had been contracted to build. In one legend, the saints were said to have learned the art of horsemanship directly from the archangel Michael, and they are therefore considered by the Orthodox Church to be the patron saints of horses and horsemanship. In the top half of this icon, Michael raises his hands in benediction to the brothers. Below is a somewhat fanciful image of a stable full of white steeds, with the three other early martyrs associated with horses, the triplets Speusippus, Eleusippus, and Meleusippus, riding among them.The icon's borders are framed in gilded repousse, chased with foliate scrolls, vines and flower rosettes, and ornamental beading lines the frame's exterior. At the top of the frame is an image of the Mandylion (Christ's face miraculously imprinted upon a cloth).
Scholar Source Context
Document identity
localId
20463
label
Saints Florus and Laurus
core
obj
dtoType
drawing
citationUrl
pageCount
1
Source metadata
id
20463
sourceUrl
contentType
drawing
stage
normalized
title
Saints Florus and Laurus
description
The saints Florus and Laurus, twin stonemasons born in Constantinople, were martyred in Ilyria in the second century, reportedly for consecrating as a Christian church a pagan temple that they had been contracted to build. In one legend, the saints were said to have learned the art of horsemanship directly from the archangel Michael, and they are therefore considered by the Orthodox Church to be the patron saints of horses and horsemanship. In the top half of this icon, Michael raises his hands in benediction to the brothers. Below is a somewhat fanciful image of a stable full of white steeds, with the three other early martyrs associated with horses, the triplets Speusippus, Eleusippus, and Meleusippus, riding among them.The icon's borders are framed in gilded repousse, chased with foliate scrolls, vines and flower rosettes, and ornamental beading lines the frame's exterior. At the top of the frame is an image of the Mandylion (Christ's face miraculously imprinted upon a cloth).
provenance
Ilya Metchnikoff (1906-1991), New York, 1950 (?), by purchase; Eleanor Metchnikoff (1909-2001), Annapolis, Maryland, 1991, by inheritance; Walters Art Museum, 1996, by gift.
date
18th century (Modern)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
icons
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
31.4
height
26.5
dimensionsRaw
12 3/8 x 10 7/16 in. (31.4 x 26.5 cm)
Source extras
cul
Russian
dynasty
House of Romanov
med
tempera on panel
creator_ids
6214
collection_ids
BYZ
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
6710c2732b7d10e5