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The elegant works of Jean-Marc Nattier exemplify mid 18th-century French portraiture. Although he was admitted to the Académie Royale (Royal Academy) as a painter of historical subjects (then ranked as the highest category of painting), Nattier specialized in the less prestigious genre of portraiture. Though he worked at the court of Louis XV, he broke with the baroque tradition of grandiose portraits. Instead, he produced naturalistic paintings of Queen Marie Leszczynska and her daughters, as well as Madame de Pompadour and other members of the nobility.The subject of this light-hearted, informal portrait is currently unknown. Previous scholarship, however, identified the young woman as the wife of Antoine-René de Voyer d'Argenson, marquis of Paulmy, who was minister of war under Louis XV and French ambassador to Poland. The museum continues to research this painting and its sitter.

Page data

Page
1
Source index
0
Type
photo
Media ID
f4d39742fcabf4d9
Size
unknown

Document data

ID
2255
Core
obj
Type
drawing
DTO data
{
    "id": "2255",
    "sourceUrl": "https://purl.thewalters.org/art/37.895",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Portrait of a Woman and her Dog",
    "description": "The elegant works of Jean-Marc Nattier exemplify mid 18th-century French portraiture.  Although he was admitted to the Académie Royale (Royal Academy) as a painter of historical subjects (then ranked as the highest category of painting), Nattier specialized in the less prestigious genre of portraiture.  Though he worked at the court of Louis XV, he broke with the baroque tradition of grandiose portraits. Instead, he produced naturalistic paintings of Queen Marie Leszczynska and her daughters, as well as Madame de Pompadour and other members of the nobility.The subject of this light-hearted, informal portrait is currently unknown. Previous scholarship, however, identified the young woman as the wife of Antoine-René de Voyer d'Argenson, marquis of Paulmy, who was minister of war under Louis XV and French ambassador to Poland. The museum continues to research this painting and its sitter.",
    "provenance": "Comtesse de la Morélie, Falaise, France; King Sale, American Art Association, New York, March, 31, 1905, no. 62; Henry Walters, Baltimore, 1905, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "1750",
    "citationUrl": "https://purl.thewalters.org/art/37.895",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Painting & Drawing",
        "paintings"
    ],
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    "largeImageUrl": "https://art.thewalters.org/images/art/PL9_37.895_Fnt_SL.jpg",
    "imageCount": 3,
    "pageCount": 3,
    "source": "import",
    "dimensions": [
        {
            "units": "cm",
            "width": 101.5,
            "height": 80.5
        }
    ],
    "dimensionsRaw": "H: 39 15/16 x W: 31 11/16 in. (101.5 x 80.5 cm)"
}

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Document identity
{
    "localId": "2255",
    "label": "Portrait of a Woman and her Dog",
    "core": "obj",
    "dtoType": "drawing",
    "citationUrl": "https://purl.thewalters.org/art/37.895"
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Document source metadata
{
    "id": "2255",
    "sourceUrl": "https://purl.thewalters.org/art/37.895",
    "contentType": "drawing",
    "stage": "normalized",
    "title": "Portrait of a Woman and her Dog",
    "description": "The elegant works of Jean-Marc Nattier exemplify mid 18th-century French portraiture.  Although he was admitted to the Académie Royale (Royal Academy) as a painter of historical subjects (then ranked as the highest category of painting), Nattier specialized in the less prestigious genre of portraiture.  Though he worked at the court of Louis XV, he broke with the baroque tradition of grandiose portraits. Instead, he produced naturalistic paintings of Queen Marie Leszczynska and her daughters, as well as Madame de Pompadour and other members of the nobility.The subject of this light-hearted, informal portrait is currently unknown. Previous scholarship, however, identified the young woman as the wife of Antoine-René de Voyer d'Argenson, marquis of Paulmy, who was minister of war under Louis XV and French ambassador to Poland. The museum continues to research this painting and its sitter.",
    "provenance": "Comtesse de la Morélie, Falaise, France; King Sale, American Art Association, New York, March, 31, 1905, no. 62; Henry Walters, Baltimore, 1905, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "1750",
    "citationUrl": "https://purl.thewalters.org/art/37.895",
    "rightsUri": "CC0",
    "language": "en",
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    "iiifBase": "https://art.thewalters.org/images/art/PL9_37.895_Fnt_SL.jpg",
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    "largeImageUrl": "https://art.thewalters.org/images/art/PL9_37.895_Fnt_SL.jpg",
    "imageCount": 3,
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    ],
    "dimensionsRaw": "H: 39 15/16 x W: 31 11/16 in. (101.5 x 80.5 cm)"
}
Document source extras
{
    "inscriptions": [
        "[Artist Signature]: painted in artist's hand",
        "lower left of canvas \"\"Nattier\"\"; [Date]: painted in artist hand \"\"1850\"\"; [Sticker]: Paper label on reverse of frame torn off at bottom—written in ink:  - ‘Portrait by Nattier representing la -- -- -- --se d’Argenson",
        "Collection -- --‘ “"
    ],
    "reign": "Louis XV (1715-1774)",
    "med": "oil on canvas",
    "creator_ids": [
        "2464",
        "34478"
    ],
    "collection_ids": [
        "EAN"
    ],
    "exhibition_ids": [
        "2159"
    ]
}
Page context
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    "url": "https://art.thewalters.org/images/raw/PS1_37.895_Fnt_DD_T17-tms.jpg",
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