Two Panels depicting the Annunciation, Baptism of Christ and Crucifixion from the Antwerp-Baltimore Quadriptych
This extremely important masterpiece is one of the earliest paintings of the Netherlandish school. The style suggests that the artist came from Guelders, in the northern Netherlands, as did the famous Limbourg brothers, who settled in Paris. The overall theme of the six scenes...
Images (3)
Drawing
| id |
id
25676
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|---|---|
| contentType |
contentType
drawing
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| stage |
stage
normalized
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| provenance |
provenance
The Chartreuse de Champmol, until 1772-1774 (?); Louis XV, King of France, Paris and Versailles [date of acquisition unknown], by purchase; Cardinal Charles Antoine de la Roche-Aymon, Château de Champigny-les-Vitraux [date of acquisition unknown], by purchase; Charles Guillaume de la Roche-Aymon (d. 1851) [date of acquisition unknown], by inheritance; Cuvillier, Niort, Deux Sèvres, prior to 1904, by purchase; Arnold Seligmann, Rey and Co., Paris [date of acquisition unknown], by purchase; Henry Walters, New York, 1919, by purchase; Sadie Jones (Mrs. Henry Walters), New York, 1931, by inheritence; Sale, New York, 1939; Walters Art Museum, 1939, by purchase.
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| rightsUri |
rightsUri
CC0
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| language |
language
en
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| pageCount |
pageCount
3
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| source |
source
import
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| style |
style
Gothic
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Source image fields (5)
Terms
Culture
Burgundian
Relations
createdBy
inCollection