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Source Description

Nathaniel Hawthorne, author of "The Scarlet Letter" (1850), regarded this painting, which William Walters commissioned from Merle in 1859, as the finest illustration of his novel. Set in Puritan Boston, the novel relates how Hester Prynne was publicly disgraced and condemned to wear a scarlet letter "A" for adultery. Arthur Dimmesdale, the minister who fathered her child, and Roger Chillingworth, Hester's elderly husband, appear in the background.Merle's canvas reflects some of the same 19th-century historical interest in the Puritans as Hawthorne's book, a fascination that reached its peak with the establishment of Thanksgiving as a national holiday in 1863. By depicting Hester and her daughter, Pearl, in a pose that recalls that of the Madonna and Child, Merle underlines "The Scarlet Letter"'s themes of sin and redemption.

Scholar Source Context

Document identity
localId
25737
label
The Scarlet Letter
core
obj
dtoType
drawing
pageCount
2
Source metadata
id
25737
contentType
drawing
stage
normalized
title
The Scarlet Letter
description
Nathaniel Hawthorne, author of "The Scarlet Letter" (1850), regarded this painting, which William Walters commissioned from Merle in 1859, as the finest illustration of his novel. Set in Puritan Boston, the novel relates how Hester Prynne was publicly disgraced and condemned to wear a scarlet letter "A" for adultery. Arthur Dimmesdale, the minister who fathered her child, and Roger Chillingworth, Hester's elderly husband, appear in the background.Merle's canvas reflects some of the same 19th-century historical interest in the Puritans as Hawthorne's book, a fascination that reached its peak with the establishment of Thanksgiving as a national holiday in 1863. By depicting Hester and her daughter, Pearl, in a pose that recalls that of the Madonna and Child, Merle underlines "The Scarlet Letter"'s themes of sin and redemption.
provenance
Commissioned by William T. Walters (through George A. Lucas as agent), Baltimore, March 9, 1861 [1]; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.[1] The Diary of George A Lucas, p.104, commissioned from the artist, on November 1, 1859.
date
1861
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
oil paintings (visual works)
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
99.9
height
81.1
dimensionsRaw
H: 39 5/16 x W: 31 15/16 in. (99.9 x 81.1 cm); Framed H: 51 x W: 42 x D: 3 in. (129.5 x 106.7 x 7.6 cm)
Source extras
inscriptions
[Signature] At lower right: HUGUES MERLE
med
oil on canvas
creator_ids
3864
collection_ids
EAN
exhibition_ids
2159
532
3300
Page inventory
seq
1
type
photo
mediaId
6785c419bf7b4dfa
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
bc7c1f59537a1da5
hasOcr
no
hasDescription
no