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Source Description

This panel, and its companion (37.694) were originally side panels of a large multi-paneled altarpiece, the other compartments of which are now lost or unidentified. It depicts Saint James the Great, brother of Saint John the Divine and cousin of Jesus Christ, holding his typical attributes of a book and a pilgrim’s staff. The latter object is a reference to the famous pilgrimage destination dedicated to James, Santiago de Compstella in Spain.The artist of this panel is unknown but several paintings have been attributed to him on the basis of their similar style. In 1989 the art historian Filippo Todini named him the "Master of the Ranghiasci Polyptych," after a fragmentary altarpiece formerly in the Ranghiasci Collection in Gubbio. According to Todini, the artist was active in the central Italian region of Umbria in the first half of the 15th century. Earlier scholars, however, connected to the paintings to the neighboring region of the Marches.

Scholar Source Context

Document identity
localId
32479
label
St. James the Great
core
obj
dtoType
drawing
pageCount
3
Source metadata
id
32479
contentType
drawing
stage
normalized
title
St. James the Great
description
This panel, and its companion (37.694) were originally side panels of a large multi-paneled altarpiece, the other compartments of which are now lost or unidentified. It depicts Saint James the Great, brother of Saint John the Divine and cousin of Jesus Christ, holding his typical attributes of a book and a pilgrim’s staff. The latter object is a reference to the famous pilgrimage destination dedicated to James, Santiago de Compstella in Spain.The artist of this panel is unknown but several paintings have been attributed to him on the basis of their similar style. In 1989 the art historian Filippo Todini named him the "Master of the Ranghiasci Polyptych," after a fragmentary altarpiece formerly in the Ranghiasci Collection in Gubbio. According to Todini, the artist was active in the central Italian region of Umbria in the first half of the 15th century. Earlier scholars, however, connected to the paintings to the neighboring region of the Marches.
provenance
Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1881 catalogue: no. 21; 1897 catalogue: no. 32, as school of Angolo Gaddi]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1415 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
panel paintings
altarpieces
fragments
imageCount
3
pageCount
3
source
import
dimensions
units
cm
width
88
height
41.3
dimensionsRaw
Painted surface H to apex: 34 5/8 x W: 16 1/4 in. (88 x 41.3 cm); Panel reverse H: 36 5/8 x W: 16 15/16 x D: 1 3/16 in. (93 x 43 x 3 cm)
Source extras
med
tempera and gold leaf on wood panel
creator_ids
2040
collection_ids
REN
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
94ae11b769c79c41
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
8ff62e2cf22ac51d
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
5de40430b0b63b3b
hasOcr
no
hasDescription
no