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Source Description

The Kamigamo Shrine is the oldest Shinto shrine in the former Japanese capital of Kyoto. It is dedicated to the deity Kamo-wake-ikazuchi, who appeared miraculously to a daughter of the ruling clan while she was performing a purification ritual in the Kamo River. The deity was initially enshrined at the top of Mount Ko, seen in the distance, but was transferred to this 7th-century building during the Heian period.The mate to this screen, also in the Walters' collection (35.148), depicts the Byodo-in, a famous Buddhist temple in the nearby town of Uji.Thiis screen shows a Shinto shrine north of Kyoto and is a one of a pair with "Byodo-in Temple in Winter" (35.148). Working in the style of the 18th-century master Okyo, Mori Kansai wanted the two screens to contrast not only in terms of religion (Buddhist, Shinto), space (south, north), and season (winter, summer) but in the way they are painted--with a sharp contrast of light and dark in "Winter," a subtle gradation in "Summer."

Scholar Source Context

Document identity
localId
35616
label
Kamigamo Shrine in Summer
core
obj
dtoType
drawing
pageCount
1
Source metadata
id
35616
contentType
drawing
stage
normalized
title
Kamigamo Shrine in Summer
description
The Kamigamo Shrine is the oldest Shinto shrine in the former Japanese capital of Kyoto. It is dedicated to the deity Kamo-wake-ikazuchi, who appeared miraculously to a daughter of the ruling clan while she was performing a purification ritual in the Kamo River. The deity was initially enshrined at the top of Mount Ko, seen in the distance, but was transferred to this 7th-century building during the Heian period.The mate to this screen, also in the Walters' collection (35.148), depicts the Byodo-in, a famous Buddhist temple in the nearby town of Uji.Thiis screen shows a Shinto shrine north of Kyoto and is a one of a pair with "Byodo-in Temple in Winter" (35.148). Working in the style of the 18th-century master Okyo, Mori Kansai wanted the two screens to contrast not only in terms of religion (Buddhist, Shinto), space (south, north), and season (winter, summer) but in the way they are painted--with a sharp contrast of light and dark in "Winter," a subtle gradation in "Summer."
provenance
[Dealer] Osaka; Toyobi Far Eastern Art [Dr. Frederick Baekeland and Joan D. Baekeland], 1987-1988 [mode of acquisition unknown]; Walters Art Museum, 1989, by purchase.
date
1860-1870 (Edo-Meiji)
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
screens
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
47
height
136.5
dimensionsRaw
H: 18 1/2 x W: 53 3/4 in. (47 x 136.5 cm)
Source extras
cul
Japanese
inscriptions
[Signature] Lower right side of righthand panel: Kansai Sho O Mori Koshuka; [Seal] Tachibana Koshuka in: Jinichi Shiyo
med
ink and gold wash on paper with hints of color
creator_ids
5549
collection_ids
JPK
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
0cd25b85f1978750