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Source Description
St. Sebastian was a Roman military officer martyred about AD 300 by being shot full of arrows and then clubbed to death. He was prayed to for protection against the plague. This painting depicts one instance of his intercession. According to legend, this event occurred long after the saint's death, during an outbreak of the plague in 7th-century Pavia, Italy. Here, just as a victim is to be buried, a grave attendant is struck by the disease. The plague-or Black Death-devastated Europe for centuries, and the painting's viewers would have known its horrors. St. Sebastian, pierced with arrows, kneels before God to plead on behalf of humanity, while an angel and a demon battle in the sky. The artist was never in Italy and based the appearance of Pavia on that of Avignon.In 1497, Lieferinxe contracted with the Confraternity of St. Sebastian to paint an altarpiece dedicated to their patron saint in the church of Notre-Dame-des-Accoules (now destroyed) in Marseille, France. Six other panels from this altarpiece are now in the Philadelphia Museum of Art (Johnson Collection), the Museo di Palazo Venezia in Rome, and the Hermitage Museum, Saint Petersburg.For more information, see the article by Melissa R. Katz, "Preventative Medicine: Josse Lieferinxe's Retable Altar of St. Sebastian as a Defense Against Plague in 15th Century Provence." Interfaces 26 (2006-7): 59-82.
Scholar Source Context
Document identity
localId
6193
label
Saint Sebastian Interceding for the Plague Stricken
core
obj
dtoType
drawing
citationUrl
pageCount
1
Source metadata
id
6193
sourceUrl
contentType
drawing
stage
normalized
title
Saint Sebastian Interceding for the Plague Stricken
description
St. Sebastian was a Roman military officer martyred about AD 300 by being shot full of arrows and then clubbed to death. He was prayed to for protection against the plague. This painting depicts one instance of his intercession. According to legend, this event occurred long after the saint's death, during an outbreak of the plague in 7th-century Pavia, Italy. Here, just as a victim is to be buried, a grave attendant is struck by the disease. The plague-or Black Death-devastated Europe for centuries, and the painting's viewers would have known its horrors. St. Sebastian, pierced with arrows, kneels before God to plead on behalf of humanity, while an angel and a demon battle in the sky. The artist was never in Italy and based the appearance of Pavia on that of Avignon.In 1497, Lieferinxe contracted with the Confraternity of St. Sebastian to paint an altarpiece dedicated to their patron saint in the church of Notre-Dame-des-Accoules (now destroyed) in Marseille, France. Six other panels from this altarpiece are now in the Philadelphia Museum of Art (Johnson Collection), the Museo di Palazo Venezia in Rome, and the Hermitage Museum, Saint Petersburg.For more information, see the article by Melissa R. Katz, "Preventative Medicine: Josse Lieferinxe's Retable Altar of St. Sebastian as a Defense Against Plague in 15th Century Provence." Interfaces 26 (2006-7): 59-82.
provenance
Francis Egerton, Earl of Elsmere, by purchase; David M. Koetser, New York and London, by purchase; Walters Art Museum, 1945, by purchase.
date
1497-1499 (Renaissance)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
altarpieces
panels
oil paintings
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
81.8
height
55.4
dimensionsRaw
H: 32 3/16 x W: 21 13/16 in. (81.8 x 55.4 cm)
style
Renaissance
Source extras
cul
French
med
oil on wood
creator_ids
6777
collection_ids
REN
exhibition_ids
316
2377
Single page context
seq
1
pageIndex
0
type
photo
mediaId
8ffbe4488a0f19e4