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Document source description
Together with 37.620A, B and 37.620D-F, this panel of the Prophet Joseph comes from the frame of a monumental polyptych, or multi-paneled altarpiece, by Niccolò da Foligno, one of the foremost painters in the Central Italian regions of Umbria and the Marches in the mid- to late 1400s. All of the panels were originally installed as pinnacles (crowning elements) above the altarpiece’s larger central panels. In depicting Old Testament prophets—figures who relayed God’s messages and foretold the eventual arrival of Christ—they acted as precursors to subject represented in the main portion of the altarpiece, likely an episode from the life of Christ or the Virgin Mary. The main panels from the altarpiece to which the pinnacles belonged remains lost or unidentified. For an intact altarpiece by Niccolò da Foligno with a similar set of pinnacles, see the example at the Vatican Picture Gallery in Rome.
Page data
- Page
- 2
- Source index
- 0
- Type
- photo
- Media ID
- b5677620465ea4e1
- Size
- unknown
Document data
- ID
- 7707
- Core
- obj
- Type
- drawing
DTO data
{
"id": "7707",
"sourceUrl": "https://purl.thewalters.org/art/37.620C",
"contentType": "drawing",
"stage": "normalized",
"title": "The Prophet Joseph",
"description": "Together with 37.620A, B and 37.620D-F, this panel of the Prophet Joseph comes from the frame of a monumental polyptych, or multi-paneled altarpiece, by Niccolò da Foligno, one of the foremost painters in the Central Italian regions of Umbria and the Marches in the mid- to late 1400s. All of the panels were originally installed as pinnacles (crowning elements) above the altarpiece’s larger central panels. In depicting Old Testament prophets—figures who relayed God’s messages and foretold the eventual arrival of Christ—they acted as precursors to subject represented in the main portion of the altarpiece, likely an episode from the life of Christ or the Virgin Mary. The main panels from the altarpiece to which the pinnacles belonged remains lost or unidentified. For an intact altarpiece by Niccolò da Foligno with a similar set of pinnacles, see the example at the Vatican Picture Gallery in Rome.",
"provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1881 catalogue: no. 168; 1897 catalogue: no. 24]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "ca. 1470 (Renaissance)",
"citationUrl": "https://purl.thewalters.org/art/37.620C",
"rightsUri": "CC0",
"language": "en",
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"Painting & Drawing",
"paintings",
"polyptychs",
"pinnacles"
],
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"largeImageUrl": "https://art.thewalters.org/images/art/PL7_37.620C_Fnt_BW.jpg",
"imageCount": 2,
"pageCount": 2,
"source": "import",
"dimensions": [
{
"units": "cm",
"width": 14.3,
"height": 11.4
}
],
"dimensionsRaw": "Approx. painted surface H: 5 5/8 x W: 4 1/2 in. (14.3 x 11.4 cm); Approx. panel H: 9 13/16 x W: 7 13/16 x D: 11/16 in. (24.9 x 19.9 x 1.8 cm)",
"style": "Renaissance"
}
Context sent to Scholar
Document identity
{
"localId": "7707",
"label": "The Prophet Joseph",
"core": "obj",
"dtoType": "drawing",
"citationUrl": "https://purl.thewalters.org/art/37.620C"
}
Document source metadata
{
"id": "7707",
"sourceUrl": "https://purl.thewalters.org/art/37.620C",
"contentType": "drawing",
"stage": "normalized",
"title": "The Prophet Joseph",
"description": "Together with 37.620A, B and 37.620D-F, this panel of the Prophet Joseph comes from the frame of a monumental polyptych, or multi-paneled altarpiece, by Niccolò da Foligno, one of the foremost painters in the Central Italian regions of Umbria and the Marches in the mid- to late 1400s. All of the panels were originally installed as pinnacles (crowning elements) above the altarpiece’s larger central panels. In depicting Old Testament prophets—figures who relayed God’s messages and foretold the eventual arrival of Christ—they acted as precursors to subject represented in the main portion of the altarpiece, likely an episode from the life of Christ or the Virgin Mary. The main panels from the altarpiece to which the pinnacles belonged remains lost or unidentified. For an intact altarpiece by Niccolò da Foligno with a similar set of pinnacles, see the example at the Vatican Picture Gallery in Rome.",
"provenance": "Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1881 catalogue: no. 168; 1897 catalogue: no. 24]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "ca. 1470 (Renaissance)",
"citationUrl": "https://purl.thewalters.org/art/37.620C",
"rightsUri": "CC0",
"language": "en",
"genreSpecific": [
"Painting & Drawing",
"paintings",
"polyptychs",
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],
"iiifBase": "https://art.thewalters.org/images/art/PL7_37.620C_Fnt_BW.jpg",
"thumbnailUrl": "https://art.thewalters.org/images/art/PL7_37.620C_Fnt_BW.jpg",
"largeImageUrl": "https://art.thewalters.org/images/art/PL7_37.620C_Fnt_BW.jpg",
"imageCount": 2,
"pageCount": 2,
"source": "import",
"dimensions": [
{
"units": "cm",
"width": 14.3,
"height": 11.4
}
],
"dimensionsRaw": "Approx. painted surface H: 5 5/8 x W: 4 1/2 in. (14.3 x 11.4 cm); Approx. panel H: 9 13/16 x W: 7 13/16 x D: 11/16 in. (24.9 x 19.9 x 1.8 cm)",
"style": "Renaissance"
}
Document source extras
{
"inscriptions": "On the scroll: JOSEF.PRO. (translation: Joseph pro[phet])",
"RelatedObjects": [
"32644",
"39972",
"26158"
],
"med": "tempera and gold leaf on wood panel",
"creator_ids": [
"6276"
],
"collection_ids": [
"REN"
],
"exhibition_ids": []
}
Page context
{
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"pageIndex": 0,
"type": "photo",
"url": "https://art.thewalters.org/images/raw/PL7_37.620C_Fnt_BW.jpg",
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}