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Source Description

The omnibus, a means of inexpensive public transportation with established routes either within a city or between cities, was introduced into Paris in the late 17th century but lasted only a few years, until 1678 (Larousse, Paris, 1898-1904, vol. 6). The idea was taken up again in the 19th century, when routes from Paris to Nantes and Bordeaux were inaugurated. After overcoming initial opposition from both the government and the public, omnibus concessions were granted again within Paris in 1828. Unlike a train, the omnibus had no seating arrangements by class. Instead, passengers could either hail the conveyance in the street or wait at a designated office along the line. In the case of the latter, riders received numbered tickets and waited for the conductor to call them in numerical order. Here, Daumier treats the inevitable conflict that arises from the mingling of the working and middle classes, in such confined quarters, with more humor than he has demonstrated in previous representations of this subject.

Scholar Source Context

Document identity
localId
7902
label
The Omnibus
core
obj
dtoType
drawing
pageCount
1
Source metadata
id
7902
contentType
drawing
stage
normalized
title
The Omnibus
description
The omnibus, a means of inexpensive public transportation with established routes either within a city or between cities, was introduced into Paris in the late 17th century but lasted only a few years, until 1678 (Larousse, Paris, 1898-1904, vol. 6). The idea was taken up again in the 19th century, when routes from Paris to Nantes and Bordeaux were inaugurated. After overcoming initial opposition from both the government and the public, omnibus concessions were granted again within Paris in 1828. Unlike a train, the omnibus had no seating arrangements by class. Instead, passengers could either hail the conveyance in the street or wait at a designated office along the line. In the case of the latter, riders received numbered tickets and waited for the conductor to call them in numerical order. Here, Daumier treats the inevitable conflict that arises from the mingling of the working and middle classes, in such confined quarters, with more humor than he has demonstrated in previous representations of this subject.
provenance
Commissioned by William T. Walters (through George A. Lucas as agent), Baltimore, March 18, 1864 [1]; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.[1] The Diary of George A. Lucas, p. 174.
date
1864
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
watercolors (paintings)
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
21.2
height
30.2
dimensionsRaw
H: 8 3/8 x W: 11 7/8 in. (21.2 x 30.2 cm)
Source extras
inscriptions
[Signed] Upper right
in brown ink: h. Daumier; [Number] Center
reverse
in graphite: 4
med
ink, watercolor, and black lithographic crayon on cream, moderately thick, moderately textured woven paper
creator_ids
7521
collection_ids
EAN
exhibition_ids
484
335
2069
2366
913
2297
2376
404
2017
432
3008
Single page context
seq
1
pageIndex
0
type
photo
mediaId
8a54e43f6fccd76c