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Source Description

Though Duncanson produced this painting in Cincinnati, the landscape pictured was likely inspired by the artist’s travels to the Scottish Highlands in 1865, as well as his knowledge of European landscape painting. Over the course of his career Duncanson developed a uniquely imaginative, arcadian vision of landscapes influenced by his interest in history and Romantic literature. Crumbling ruins appear along the far bank of the river, while several Black figures appear in boats and on the shore. One of the first painters of African American descent to attain international recognition, he was one of the most successful Hudson River School painters.Scholars have debated to what extent Duncanson’s race informed the artist’s approach to the landscape. Descending from a mixed-race family and identifying as a free person of color, Duncanson worked alongside his white peers in Cincinnati, seeking opportunities and reaching a level of fame that far surpassed most Black Americans at the time. While Duncanson undoubtedly confronted racial prejudice at certain points in his career, his paintings rarely directly addressed issues relating to race.

Scholar Source Context

Document identity
localId
90373
label
River Scene
core
obj
dtoType
drawing
pageCount
5
Source metadata
id
90373
contentType
drawing
stage
normalized
title
River Scene
description
Though Duncanson produced this painting in Cincinnati, the landscape pictured was likely inspired by the artist’s travels to the Scottish Highlands in 1865, as well as his knowledge of European landscape painting. Over the course of his career Duncanson developed a uniquely imaginative, arcadian vision of landscapes influenced by his interest in history and Romantic literature. Crumbling ruins appear along the far bank of the river, while several Black figures appear in boats and on the shore. One of the first painters of African American descent to attain international recognition, he was one of the most successful Hudson River School painters.Scholars have debated to what extent Duncanson’s race informed the artist’s approach to the landscape. Descending from a mixed-race family and identifying as a free person of color, Duncanson worked alongside his white peers in Cincinnati, seeking opportunities and reaching a level of fame that far surpassed most Black Americans at the time. While Duncanson undoubtedly confronted racial prejudice at certain points in his career, his paintings rarely directly addressed issues relating to race.
provenance
Dr. James and Paula Huffman, Louisville, KY, 2009, by purchase; Steven L. Jones, 2012, by purchase; Walters Art Museum, 2012, by purchase.
date
1868
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
paintings
imageCount
5
pageCount
5
source
import
dimensions
units
cm
width
68.6
height
101.6
dimensionsRaw
H: 27 × W: 40 in. (68.6 × 101.6 cm)Framed: H: 41 1/8 × W: 54 1/8 × D: 5 1/8 in. (104.5 × 137.4 × 13 cm)
Source extras
inscriptions
[Signed and dated] Lower right: Duncanson / 1868
med
oil on canvas
creator_ids
8662
collection_ids
EAN
exhibition_ids
3300
Page inventory
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1
type
photo
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36d552812e9e1a51
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no
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no
seq
2
type
photo
mediaId
cf4f7f46e6a4de43
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no
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no
seq
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type
photo
mediaId
d44a75fbab5bfdae
hasOcr
no
hasDescription
no
seq
4
type
photo
mediaId
1080194397b66e81
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no
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no
seq
5
type
photo
mediaId
812a243f56a1a3bb
hasOcr
no
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no