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Source Description
This pax - an object held up to the congregation during the Catholic Mass for the "kiss of peace" pax is the Latin word for peace - is set with an enameled plaque divided into two subjects: below, Christ, as the Man of Sorrows, standing resurrected in the tomb between the Virgin and St. John, and in front of the instruments of the Passion: the cross, the lance and the whip. In the lunette above appears God the Father, wearing the cross-nimbus, holding the globe, blessing and surrounded by cherubs, a composition typical of the paxes of Venice and Padua.The frame is designed to suggest an altarpiece and is original. It consists of pilasters decorated with vases of flowers, crowned by capitals. The lunette, framed in a deep molding, is set, as is the lintel below, with cabochons of glass-paste, and decorated on its outer edge with a candelabrum at the summit and dolphins flanking acanthus leaves on the sides.
Scholar Source Context
Document identity
localId
1132
label
Pax with Christ as the Man of Sorrows
core
obj
dtoType
object
citationUrl
pageCount
1
Source metadata
id
1132
sourceUrl
contentType
object
stage
normalized
title
Pax with Christ as the Man of Sorrows
description
This pax - an object held up to the congregation during the Catholic Mass for the "kiss of peace" pax is the Latin word for peace - is set with an enameled plaque divided into two subjects: below, Christ, as the Man of Sorrows, standing resurrected in the tomb between the Virgin and St. John, and in front of the instruments of the Passion: the cross, the lance and the whip. In the lunette above appears God the Father, wearing the cross-nimbus, holding the globe, blessing and surrounded by cherubs, a composition typical of the paxes of Venice and Padua.The frame is designed to suggest an altarpiece and is original. It consists of pilasters decorated with vases of flowers, crowned by capitals. The lunette, framed in a deep molding, is set, as is the lintel below, with cabochons of glass-paste, and decorated on its outer edge with a candelabrum at the summit and dolphins flanking acanthus leaves on the sides.
provenance
Seligmann, Paris [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1906, by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1500 (European Renaissance)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Enamels
paxes
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
17.8
height
13
dimensionsRaw
H: 7 x W: 5 1/8 in. (17.8 x 13 cm)
Source extras
cul
European Renaissance
med
painted enamels and gold on copper over silver foil, glass-pastes
creator_ids
33562
collection_ids
REN
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
b37d1467db0c5e06