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Source Description

Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. These colorful compositions created complex narrative scenes which paralleled manuscript painting. Two horsemen face each other across the center of this footed bowl, charging towards the tree that rises to mark the central line of the bowl. Birds and abstract floral motifs surround the two central figures and emphasize the hunting activity. A kufic pseudo-inscription encircles the rim on a deep blue band, and a naskhi inscription marks the exterior rim.

Scholar Source Context

Document identity
localId
14779
label
Two horsemen under a central tree
core
obj
dtoType
object
pageCount
7
Source metadata
id
14779
contentType
object
stage
normalized
title
Two horsemen under a central tree
description
Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. These colorful compositions created complex narrative scenes which paralleled manuscript painting. Two horsemen face each other across the center of this footed bowl, charging towards the tree that rises to mark the central line of the bowl. Birds and abstract floral motifs surround the two central figures and emphasize the hunting activity. A kufic pseudo-inscription encircles the rim on a deep blue band, and a naskhi inscription marks the exterior rim.
provenance
Dikran Kelekian, New York and Paris, [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1927, by purchase; Walters Art Museum, 1931, by bequest.
date
late 12th-early 13th century (Seljuq (?))
rightsUri
CC0
language
en
genreSpecific
bowls (vessels)
imageCount
7
pageCount
7
source
import
dimensions
units
cm
width
8
height
19.6
dimensionsRaw
Overall: 3 1/8 x 7 11/16 in. (8 x 19.6 cm)
Source extras
med
turquoise underglaze, black, blue, dark green, dark purple, pink, red, and white overglaze enamel, with traces of gilding
creator_ids
6768
collection_ids
none
exhibition_ids
none
Page inventory
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1
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photo
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21358d4b72d4628e
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photo
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afe32c719422096e
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type
photo
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no
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type
photo
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type
photo
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photo
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seq
7
type
photo
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no
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no