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Source Description

In antiquity, sculptors often depicted Venus bathing or doing her hair. During the Renaissance, a bathing woman (not always Venus) was again a popular subject for small bronzes. It offered the male collector the voyeuristic pleasure of gazing at an unclothed woman who is unaware of being observed.Giambologna created famous small bronzes of this type with gracefully elongated bodies. Barthelemy Prieur, the sophisticated "Sculptor to the King" to Henry IV of France, was influenced by them but created statuettes in a more intimate format, depicting different moments of a woman's personal toilette in naturalistic poses. Conceived for the private enjoyment of the collector, they invite one's touch with their smooth curving backs. Groupings of these figures in 17th-century inventories suggest they were collected in "sets." "Woman Combing Her Hair" is not as well finished as the other two and is not from the same set.

Scholar Source Context

Document identity
localId
14833
label
Woman Combing Her Hair
core
obj
dtoType
object
pageCount
6
Source metadata
id
14833
contentType
object
stage
normalized
title
Woman Combing Her Hair
description
In antiquity, sculptors often depicted Venus bathing or doing her hair. During the Renaissance, a bathing woman (not always Venus) was again a popular subject for small bronzes. It offered the male collector the voyeuristic pleasure of gazing at an unclothed woman who is unaware of being observed.Giambologna created famous small bronzes of this type with gracefully elongated bodies. Barthelemy Prieur, the sophisticated "Sculptor to the King" to Henry IV of France, was influenced by them but created statuettes in a more intimate format, depicting different moments of a woman's personal toilette in naturalistic poses. Conceived for the private enjoyment of the collector, they invite one's touch with their smooth curving backs. Groupings of these figures in 17th-century inventories suggest they were collected in "sets." "Woman Combing Her Hair" is not as well finished as the other two and is not from the same set.
provenance
Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
date
1595-1610 (Baroque)
rightsUri
CC0
language
en
genreSpecific
Metal
statuettes (statues)
imageCount
6
pageCount
6
source
import
dimensionsRaw
H: 5 1/4 in. (13.4 cm)
Source extras
med
bronze
creator_ids
2432
collection_ids
BAR
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
3b8ff0f2b6c2e669
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
7a06662886a944b0
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
fc52115705c8c4e6
hasOcr
no
hasDescription
no
seq
4
type
photo
mediaId
02ac6b5453b6271e
hasOcr
no
hasDescription
no
seq
5
type
photo
mediaId
69cf44ad11905d6a
hasOcr
no
hasDescription
no
seq
6
type
photo
mediaId
e91c31d496097888
hasOcr
no
hasDescription
no