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Source Description
The Virgin, turned three-quarters to the left, stands in a sort of balcony or loggia, only the upper half of her figure is visible over a parapet. She wears a violet robe and blue mantle; her crowned head is surrounded by a nimbus. Perched on her extended right hand is a green parrot which pecks at the right forefinger of the Child. The Child, clad in a green tunic open in front and exposing the lower half of his body, stands on a fold of the Virgin's mantle spread upon the parapet. The composition is framed between two columns with rings at the middle of their shafts, crocketed capitals and fantastic bases which support a semi-circular arch lined with a double row of cusps and with crockets. Through the arch, behind a purple cloth of honor edged with paillettes of enamel, opens a chapel, its blue groin-vaults studded with stars. The composition is based on an engraving by Martin Schongauer, in which the Virgin turns the page of a book with her right hand, while the Child holds the parrot on his left hand.
Scholar Source Context
Document identity
localId
16114
label
The Virgin and Child
core
obj
dtoType
object
citationUrl
pageCount
1
Source metadata
id
16114
sourceUrl
contentType
object
stage
normalized
title
The Virgin and Child
description
The Virgin, turned three-quarters to the left, stands in a sort of balcony or loggia, only the upper half of her figure is visible over a parapet. She wears a violet robe and blue mantle; her crowned head is surrounded by a nimbus. Perched on her extended right hand is a green parrot which pecks at the right forefinger of the Child. The Child, clad in a green tunic open in front and exposing the lower half of his body, stands on a fold of the Virgin's mantle spread upon the parapet. The composition is framed between two columns with rings at the middle of their shafts, crocketed capitals and fantastic bases which support a semi-circular arch lined with a double row of cusps and with crockets. Through the arch, behind a purple cloth of honor edged with paillettes of enamel, opens a chapel, its blue groin-vaults studded with stars. The composition is based on an engraving by Martin Schongauer, in which the Virgin turns the page of a book with her right hand, while the Child holds the parrot on his left hand.
provenance
Seligmann Brothers, Paris [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1906, by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1500 (Renaissance)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Enamels
plaques
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
16.4
height
12.4
dimensionsRaw
H: 6 7/16 x W: 4 7/8 in. (16.4 x 12.4 cm)
Source extras
med
painted enamels on copper
creator_ids
2057
collection_ids
REN
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
2c6ddf4c0a4450ff