Ask the Scholar
Document scope · 1 page
Scholar
Ask about this object, its catalog metadata, its source description, or the page inventory.
For page-specific OCR and visual context, open one of the page chats.
Source Description
The medallions on either side of this vase depict the sacrifice of Cain and Abel (Genesis 4:3-4) and Cain slaying Abel (Genesis 4:8). Both images were copied from woodcuts made by the French engraver Bernard Salomon (1506-1561) that were produced for a popular illustrated Bible, “Les quadrins historiques de la Bible” (1553). The blank heraldic device, located above the scene of Cain slaying Abel, indicates that the vase was made without a specific buyer in mind. The interior of the vase’s mouth is painted in blue to imitate waves. The Classical figures, festoons, and masks, painted in blue, copper- and olive-green, yellow, ochre, dark manganese, black, and opaque white are characteristic of the ‘grotesque’ style, popular during the second half of the sixteenth century, and appear in many of the maiolica wares produced by the Patanazzi family. The elaborate double-snake handles of this vase are also typical of the Patanazzi workshop. To see more works by the Patanazzi workshop, click on the name in the creator field; for another snake-handled vase, see 48.1370
Scholar Source Context
Document identity
localId
17358
label
Snake-Handled Vase with Scenes from Genesis
core
obj
dtoType
object
citationUrl
pageCount
1
Source metadata
id
17358
sourceUrl
contentType
object
stage
normalized
title
Snake-Handled Vase with Scenes from Genesis
description
The medallions on either side of this vase depict the sacrifice of Cain and Abel (Genesis 4:3-4) and Cain slaying Abel (Genesis 4:8). Both images were copied from woodcuts made by the French engraver Bernard Salomon (1506-1561) that were produced for a popular illustrated Bible, “Les quadrins historiques de la Bible” (1553). The blank heraldic device, located above the scene of Cain slaying Abel, indicates that the vase was made without a specific buyer in mind. The interior of the vase’s mouth is painted in blue to imitate waves. The Classical figures, festoons, and masks, painted in blue, copper- and olive-green, yellow, ochre, dark manganese, black, and opaque white are characteristic of the ‘grotesque’ style, popular during the second half of the sixteenth century, and appear in many of the maiolica wares produced by the Patanazzi family. The elaborate double-snake handles of this vase are also typical of the Patanazzi workshop. To see more works by the Patanazzi workshop, click on the name in the creator field; for another snake-handled vase, see 48.1370
provenance
William (J. L.), 7th Earl Poulette [date and mode of acquisition unknown]; J. Seligmann, New York [date and mode of acquisition unknown]; Henry Walters, Baltimore, Nov. 6, 1908, by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1580-1600 (Renaissance)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Ceramics
vases
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
66
height
42
dimensionsRaw
26 x 16 9/16 in. (66 x 42 cm)
Source extras
med
earthenware with tin glaze (maiolica)
creator_ids
3914
collection_ids
REN
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
3d1393445de0163a