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Source Description

Josiah Wedgwood, a potter and leading member of the Society for Effecting the Abolition of the Slave Trade, had this medallion modeled after the Society’s seal and produced in ceramic. Wedgwood donated hundreds of medallions to the Society to promote the movement, and they became a fashionable accessory on both sides of the Atlantic, mounted into jewelry and snuffboxes.The image is highly problematic as it shows a black man praying or pleading with a presumably white captor for his freedom, it therefore invokes narratives of both forced conversion to Christianity and supplication, leaving racial hierarchies intact at the same time as the inscribed text suggests equality. Indeed, although the design became the most recognized image of the anti-slavery movement, the Society for Effecting the Abolition of the Slave Trade was emphatic that its only goal was the abolition of the slave trade, not slavery. That position was vigorously protested by individual members such as Granville Sharp, the most influential abolitionist of his time. In 1807 Britain abolished the trade in enslaved people, and in 1833 abolished slavery in most of its colonies.

Scholar Source Context

Document identity
localId
17899
label
Anti-Slavery Cameo
core
obj
dtoType
object
pageCount
1
Source metadata
id
17899
contentType
object
stage
normalized
title
Anti-Slavery Cameo
description
Josiah Wedgwood, a potter and leading member of the Society for Effecting the Abolition of the Slave Trade, had this medallion modeled after the Society’s seal and produced in ceramic. Wedgwood donated hundreds of medallions to the Society to promote the movement, and they became a fashionable accessory on both sides of the Atlantic, mounted into jewelry and snuffboxes.The image is highly problematic as it shows a black man praying or pleading with a presumably white captor for his freedom, it therefore invokes narratives of both forced conversion to Christianity and supplication, leaving racial hierarchies intact at the same time as the inscribed text suggests equality. Indeed, although the design became the most recognized image of the anti-slavery movement, the Society for Effecting the Abolition of the Slave Trade was emphatic that its only goal was the abolition of the slave trade, not slavery. That position was vigorously protested by individual members such as Granville Sharp, the most influential abolitionist of his time. In 1807 Britain abolished the trade in enslaved people, and in 1833 abolished slavery in most of its colonies.
provenance
Taylor B. Williams Antiques, Chicago; purchased by Walters Art Museum, 1989.
date
1787
rightsUri
CC0
language
en
genreSpecific
Ceramics
medallions (medals)
brooches
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
3.8
height
3.6
dimensionsRaw
H: 1 1/2 x W: 1 7/16 in. (3.8 x 3.6 cm)
Source extras
inscriptions
[Inscription] Am I not a Man and a Brother
med
jasperware, gold
creator_ids
4325
5670
3106
collection_ids
EAN
JWL
exhibition_ids
2661
Single page context
seq
1
pageIndex
0
type
photo
mediaId
fa1100331a16c200