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Document source description
This carving is one of the earliest standing Virgin and Child ivories to survive intact from the Gothic period. Despite the sharp, angular style, the artist represented the tender interaction between mother and child, an observation made from daily life not usually depicted in earlier Romanesque art.
Page data
- Page
- 2
- Source index
- 0
- Type
- photo
- Media ID
- d34e2b83244bfdb5
- Size
- unknown
Document data
- ID
- 19932
- Core
- obj
- Type
- object
DTO data
{
"id": "19932",
"sourceUrl": "https://purl.thewalters.org/art/71.239",
"contentType": "object",
"stage": "normalized",
"title": "Virgin and Child",
"description": "This carving is one of the earliest standing Virgin and Child ivories to survive intact from the Gothic period. Despite the sharp, angular style, the artist represented the tender interaction between mother and child, an observation made from daily life not usually depicted in earlier Romanesque art.",
"provenance": "Alphonse Kann [1870-1948], Paris. Collection of Edouard Passavant-Gontard, Frankfurt am Main. Acquired by Dikran Kelekian, New York and Paris; purchased by Henry Walters, Baltimore, 1922; by bequest to Walters Art Museum, 1931.",
"date": "1225-1250 (Medieval)",
"citationUrl": "https://purl.thewalters.org/art/71.239",
"rightsUri": "CC0",
"language": "en",
"genreSpecific": [
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],
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"largeImageUrl": "https://art.thewalters.org/images/art/PS1_71.239_3QtrRt_DD_T11.jpg",
"imageCount": 6,
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"source": "import",
"dimensions": [
{
"units": "cm",
"width": 24,
"height": 7.2,
"depth": 6.5
}
],
"dimensionsRaw": "H: 9 7/16 x W: 2 13/16 x D: 2 9/16 in. (24 x 7.2 x 6.5 cm)"
}
Context sent to Scholar
Document identity
{
"localId": "19932",
"label": "Virgin and Child",
"core": "obj",
"dtoType": "object",
"citationUrl": "https://purl.thewalters.org/art/71.239"
}
Document source metadata
{
"id": "19932",
"sourceUrl": "https://purl.thewalters.org/art/71.239",
"contentType": "object",
"stage": "normalized",
"title": "Virgin and Child",
"description": "This carving is one of the earliest standing Virgin and Child ivories to survive intact from the Gothic period. Despite the sharp, angular style, the artist represented the tender interaction between mother and child, an observation made from daily life not usually depicted in earlier Romanesque art.",
"provenance": "Alphonse Kann [1870-1948], Paris. Collection of Edouard Passavant-Gontard, Frankfurt am Main. Acquired by Dikran Kelekian, New York and Paris; purchased by Henry Walters, Baltimore, 1922; by bequest to Walters Art Museum, 1931.",
"date": "1225-1250 (Medieval)",
"citationUrl": "https://purl.thewalters.org/art/71.239",
"rightsUri": "CC0",
"language": "en",
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"thumbnailUrl": "https://art.thewalters.org/images/art/PS1_71.239_3QtrRt_DD_T11.jpg",
"largeImageUrl": "https://art.thewalters.org/images/art/PS1_71.239_3QtrRt_DD_T11.jpg",
"imageCount": 6,
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"source": "import",
"dimensions": [
{
"units": "cm",
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}
],
"dimensionsRaw": "H: 9 7/16 x W: 2 13/16 x D: 2 9/16 in. (24 x 7.2 x 6.5 cm)"
}
Document source extras
{
"cul": "French",
"style": "Gothic",
"med": "ivory with traces of gilding and paint",
"creator_ids": [
"6229"
],
"collection_ids": [
"MED"
],
"exhibition_ids": []
}
Page context
{
"seq": 2,
"pageIndex": 0,
"type": "photo",
"url": "https://art.thewalters.org/images/raw/PS1_71.239_VwA_DD_T11.jpg",
"mediaId": "d34e2b83244bfdb5"
}