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Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. These colorful compositions created complex narrative scenes which paralleled manuscript painting. An enthroned prince is attended to by five courtiers in the central and upper registers of the bottle. Separated by a dark band with geometric patterns, a group of horsemen hunt in the lower register of the bottle. The combination of leisurely activities with more warrior-like occupations, such as hunting, was frequently used in the medieval Persian iconography of kingship. This is referred to as bazm wa razm, or feasting and fighting.
Page data
- Page
- 4
- Source index
- 0
- Type
- photo
- Media ID
- f790770831db698b
- Size
- unknown
Document data
- ID
- 2008
- Core
- obj
- Type
- object
DTO data
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"contentType": "object",
"stage": "normalized",
"title": "Bottle with Enthroned Prince with Horsemen",
"description": "Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. These colorful compositions created complex narrative scenes which paralleled manuscript painting. An enthroned prince is attended to by five courtiers in the central and upper registers of the bottle. Separated by a dark band with geometric patterns, a group of horsemen hunt in the lower register of the bottle. The combination of leisurely activities with more warrior-like occupations, such as hunting, was frequently used in the medieval Persian iconography of kingship. This is referred to as bazm wa razm, or feasting and fighting.",
"provenance": "Dikran Kelekian, New York and Paris, [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1922, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "late 12th-early 13th century (Seljuq (?))",
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"language": "en",
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"dimensionsRaw": "H: 11 15/16 × Diam: 7 13/16 in. (30.3 × 19.81 cm)"
}
Context sent to Scholar
Document identity
{
"localId": "2008",
"label": "Bottle with Enthroned Prince with Horsemen",
"core": "obj",
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"citationUrl": "https://purl.thewalters.org/art/48.1260"
}
Document source metadata
{
"id": "2008",
"sourceUrl": "https://purl.thewalters.org/art/48.1260",
"contentType": "object",
"stage": "normalized",
"title": "Bottle with Enthroned Prince with Horsemen",
"description": "Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. These colorful compositions created complex narrative scenes which paralleled manuscript painting. An enthroned prince is attended to by five courtiers in the central and upper registers of the bottle. Separated by a dark band with geometric patterns, a group of horsemen hunt in the lower register of the bottle. The combination of leisurely activities with more warrior-like occupations, such as hunting, was frequently used in the medieval Persian iconography of kingship. This is referred to as bazm wa razm, or feasting and fighting.",
"provenance": "Dikran Kelekian, New York and Paris, [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1922, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "late 12th-early 13th century (Seljuq (?))",
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"rightsUri": "CC0",
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],
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}
Document source extras
{
"med": "fritware, white underglaze, black, blue, brown, dark green, dark purple, red, and white overglaze enamel, with traces of gilding",
"creator_ids": [
"6768"
],
"collection_ids": [
"ISL"
],
"exhibition_ids": [
"548"
]
}
Page context
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