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Source Description
The naturalism and lyricism of this bronze statuette make it a masterpiece of the Renaissance. Riccio (also known as Andrea Briosco), one of the greatest artists in this genre, was a member of the humanist circles of the university city of Padua. He excelled in creating small bronzes that captured the spirit of antiquity without resorting to copying. This is a shepherd from the mythic world of Arcadia, where satyrs, nymphs, gods, and humans lived together at ease. With the unfocused gaze of one lost in creative thought, he is Daphnis, who was taught to play the hollow reed pipe by the god Pan and became the inventor of pastoral poetry (poetry associated with shepherds) - a classical literary form revived in Padua during the Renaissance. There is a representation of Daphnis and Chloe together (42.97) by Henri Louis François, 1841-1896. The nickname "Riccio" means "hedgehog" and refers to the sculptor's extremely curly, indeed bristly hair, confirmed in his Self Portrait (Kunsthistorisches Museum, Vienna). It is very possible that he was in part of African ancestry.
Scholar Source Context
Document identity
localId
21684
label
The Shepherd Daphnis Playing a Pipe
core
obj
dtoType
object
citationUrl
pageCount
4
Source metadata
id
21684
sourceUrl
contentType
object
stage
normalized
title
The Shepherd Daphnis Playing a Pipe
description
The naturalism and lyricism of this bronze statuette make it a masterpiece of the Renaissance. Riccio (also known as Andrea Briosco), one of the greatest artists in this genre, was a member of the humanist circles of the university city of Padua. He excelled in creating small bronzes that captured the spirit of antiquity without resorting to copying. This is a shepherd from the mythic world of Arcadia, where satyrs, nymphs, gods, and humans lived together at ease. With the unfocused gaze of one lost in creative thought, he is Daphnis, who was taught to play the hollow reed pipe by the god Pan and became the inventor of pastoral poetry (poetry associated with shepherds) - a classical literary form revived in Padua during the Renaissance. There is a representation of Daphnis and Chloe together (42.97) by Henri Louis François, 1841-1896. The nickname "Riccio" means "hedgehog" and refers to the sculptor's extremely curly, indeed bristly hair, confirmed in his Self Portrait (Kunsthistorisches Museum, Vienna). It is very possible that he was in part of African ancestry.
provenance
Jacques Seligmann, Paris [date and mode of acquisition unknown]; Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
date
1520-1530 (Renaissance)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Metal
statuettes (statues)
imageCount
4
pageCount
4
source
import
dimensionsRaw
H: 8 3/8 in. (21.3 cm)
Source extras
cul
Italian
med
bronze
creator_ids
2199
collection_ids
REN
exhibition_ids
34
1976
2526
170
2847
3137
3205
Page inventory
seq
1
type
photo
mediaId
9e781a586641f644
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
60f0e6e9c1d8eb1a
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
c54e9deea534f67c
hasOcr
no
hasDescription
no
seq
4
type
photo
mediaId
c96deff04a811bdd
hasOcr
no
hasDescription
no