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Source Description

This page from Psalm 51 has an illuminated letter Q. Inside the letter is an image of Judas hanging from a tree. At the bottom of the page, Saint Clare holds a monstrance (the vessel used to display the host during the eucharist) while two nuns kneel beside her in adoration.This Psalter, with an additional Office of the Dead, was created in the late thirteenth century in northeastern France. A large quantity of Franciscan saints in the calendar and litany, as well as marginal imagery of them, suggests that the original owner had a strong affinity for that order. The manuscript was likely begun for one patron but finished for another, given a change in scribal and artistic hands and the addition of heraldry from Psalm 109 onward. Arms for the Fieschi family, as well as a birth notice in the calendar, identify the manuscript's first owner as Leonardo dei Fieschi, a Genoese nobleman (d. 1331). Among a multitude of drolleries, the manuscript contains a number of unusual marginal vignettes depicting SS. Francis, Clare, and Elisabeth of Hungary. One image of St. Francis (fol. 139v) is heavily worn, which may be evidence of devotional touching by the manuscript's owner.

Scholar Source Context

Document identity
localId
22058
label
Leaf from Psalter: Psalm 51, Initial Q with Judas Hanging from a Tree
core
obj
dtoType
object
pageCount
1
Source metadata
id
22058
contentType
object
stage
normalized
title
Leaf from Psalter: Psalm 51, Initial Q with Judas Hanging from a Tree
description
This page from Psalm 51 has an illuminated letter Q. Inside the letter is an image of Judas hanging from a tree. At the bottom of the page, Saint Clare holds a monstrance (the vessel used to display the host during the eucharist) while two nuns kneel beside her in adoration.This Psalter, with an additional Office of the Dead, was created in the late thirteenth century in northeastern France. A large quantity of Franciscan saints in the calendar and litany, as well as marginal imagery of them, suggests that the original owner had a strong affinity for that order. The manuscript was likely begun for one patron but finished for another, given a change in scribal and artistic hands and the addition of heraldry from Psalm 109 onward. Arms for the Fieschi family, as well as a birth notice in the calendar, identify the manuscript's first owner as Leonardo dei Fieschi, a Genoese nobleman (d. 1331). Among a multitude of drolleries, the manuscript contains a number of unusual marginal vignettes depicting SS. Francis, Clare, and Elisabeth of Hungary. One image of St. Francis (fol. 139v) is heavily worn, which may be evidence of devotional touching by the manuscript's owner.
provenance
Acquired by Leonardo dei Fieschi (d. 1331), Genoa, ca. 1290-1331. Acquired by Léon or Paul Gruel, Paris, ca. 1900-1910; purchased by Henry Walters, Baltimore; by bequest to Walters Art Museum, 1931.
date
ca. 1275-1300
rightsUri
CC0
language
en
genreSpecific
folios (leaves)
illuminated manuscripts
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
18
height
12.9
dimensionsRaw
H: 7 1/16 × W: 5 1/16 in. (18 × 12.9 cm)
Source extras
style
Gothic
med
ink and pigments on parchment
creator_ids
6505
collection_ids
MSS
MED
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
e9ddfde77748b1b8