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Source Description

The device at the center of this bowl is likely a variation of the arms of the Chigi family of Rome but the six “mountains” as a motif was used as well by the Montini. The sprays of foliage at the sides could refer to the delle Rovere family (branches of oak leaves) who were important patrons of the Chigi in the first half of the 1500s. The initials visible to the right and left of the coat of arms have not been identified, but likely belong to the bowl’s original owner. During the sixteenth century, many families commissioned elaborate maiolica services embellished with their heraldry. The bowl’s broad rim is decorated with patterns influenced by Islamic ceramics and metal wares that were highly sought after in Renaissance Italy. The back is painted bluish-white and decorated with spirals in luster. The bowl is painted with a luster glaze, a specialty of Giorgio Andreoli’s workshop. For more information on Giorgio Andreoli see 48.1331. To view other works by the artist and his workshop, click on his name in the “creator” field. For “maiolica” in general, see 48.1336

Scholar Source Context

Document identity
localId
2307
label
Bowl with Coat of Arms
core
obj
dtoType
object
pageCount
1
Source metadata
id
2307
contentType
object
stage
normalized
title
Bowl with Coat of Arms
description
The device at the center of this bowl is likely a variation of the arms of the Chigi family of Rome but the six “mountains” as a motif was used as well by the Montini. The sprays of foliage at the sides could refer to the delle Rovere family (branches of oak leaves) who were important patrons of the Chigi in the first half of the 1500s. The initials visible to the right and left of the coat of arms have not been identified, but likely belong to the bowl’s original owner. During the sixteenth century, many families commissioned elaborate maiolica services embellished with their heraldry. The bowl’s broad rim is decorated with patterns influenced by Islamic ceramics and metal wares that were highly sought after in Renaissance Italy. The back is painted bluish-white and decorated with spirals in luster. The bowl is painted with a luster glaze, a specialty of Giorgio Andreoli’s workshop. For more information on Giorgio Andreoli see 48.1331. To view other works by the artist and his workshop, click on his name in the “creator” field. For “maiolica” in general, see 48.1336
provenance
Seligmann, Rey & Co, New York [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1908, by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1540-1550 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Ceramics
bowls (vessels)
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
4.2
height
24.5
dimensionsRaw
1 5/8 x 9 5/8 in. (4.2 x 24.5 cm)
Source extras
inscriptions
[Transcription] On the front
on either side of the coat of arms
in black: CP / CO
med
earthenware with tin glaze (maiolica) and luster decoration
creator_ids
none
collection_ids
REN
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
edf70dfb56e21737