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Source Description

Originating in the Americas, the practice of “taking snuff,” or inhaling pulverized tobacco through the nose, became a common European custom by the 17th century. Consumers of all social levels and of both sexes would carry small, airtight boxes filled with the powdered tobacco, taking a pinch whenever they needed. Over time, however, society’s elites began to purchase and commission increasingly extravagant and precious boxes. Kings and Queens would often present snuffboxes to ambassadors as diplomatic gifts and to courtiers as payment for services. Made of a variety of precious materials, including gold, enamel, semiprecious stones, lacquer, and tortoiseshell, snuffboxes were coveted and enthusiastically collected. Displaying one’s collection of prized snuffboxes or stylishly retrieving an elegant box from one’s pocket were important social rituals; these objects revealed a person’s tastes, interests, and erudition. On this box, one can see exuberant bird and vegetal Rococo motifs.

Scholar Source Context

Document identity
localId
26753
label
Snuffbox with Landscape and Doves
core
obj
dtoType
object
pageCount
1
Source metadata
id
26753
contentType
object
stage
normalized
title
Snuffbox with Landscape and Doves
description
Originating in the Americas, the practice of “taking snuff,” or inhaling pulverized tobacco through the nose, became a common European custom by the 17th century. Consumers of all social levels and of both sexes would carry small, airtight boxes filled with the powdered tobacco, taking a pinch whenever they needed. Over time, however, society’s elites began to purchase and commission increasingly extravagant and precious boxes. Kings and Queens would often present snuffboxes to ambassadors as diplomatic gifts and to courtiers as payment for services. Made of a variety of precious materials, including gold, enamel, semiprecious stones, lacquer, and tortoiseshell, snuffboxes were coveted and enthusiastically collected. Displaying one’s collection of prized snuffboxes or stylishly retrieving an elegant box from one’s pocket were important social rituals; these objects revealed a person’s tastes, interests, and erudition. On this box, one can see exuberant bird and vegetal Rococo motifs.
provenance
Paris, 1726-1732 [tax-stamps for the sous-fermier Jacques Cottin]; Harding, New York [date and mode of aquisition unknown]; Henry Walters, Baltimore, 1921, by purchase; Walters Art Museum, 1931, by bequest.
date
1731-1732
rightsUri
CC0
language
en
genreSpecific
Gold, Silver & Jewelry
snuffboxes
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
1.3
height
6.4
depth
4.5
dimensionsRaw
1/2 x 2 1/2 x 1 3/4 in. (1.27 x 6.35 x 4.45 cm)
Source extras
inscriptions
[Mark of Goldsmith] On the interior of the side
interior of the lid
and interior of the bottom
indicating the work of Noel Hardivilliers: crowned fleur-de-lis over flanked by two grains de remède
above NH with a rooster in profile; [Mark of Assayer] Partially obscured on the interior side and mostly obscured on interior of lid
indicating Jacques Cottin: possibly crowned dolphin head; [Mark of Warden] On the interior side
date of 1731-1732; crowned P; [Warranty or décharge] On the exterior bezel
indicating Jacques Cottin: crowned chancellor’s mace.
med
gold
creator_ids
3970
collection_ids
EAN
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
1389e6e4f19b9eec