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Source Description

Originating in the Americas, the practice of “taking snuff,” or inhaling pulverized tobacco through the nose, became a common European custom by the 17th century. Consumers of all social levels and of both sexes would carry small, airtight boxes filled with the powdered tobacco, taking a pinch whenever they needed. Over time, however, society’s elites began to purchase and commission increasingly extravagant and precious boxes. Kings and Queens would often present snuffboxes to ambassadors as diplomatic gifts and to courtiers as payment for services. Made of a variety of precious materials, including gold, enamel, semiprecious stones, lacquer, and tortoiseshell, snuffboxes were coveted and enthusiastically collected. Displaying one’s collection of prized snuffboxes or stylishly retrieving an elegant box from one’s pocket were important social rituals; these objects revealed a person’s tastes, interests, and erudition. This snuffbox features two compartments, which allowed an individual to carry two different types of snuff. Set in the red enamel faces of the lids are circular medallions showing classical figures painted "en caimeau."

Scholar Source Context

Document identity
localId
28931
label
Double Oval Snuffbox
core
obj
dtoType
object
pageCount
1
Source metadata
id
28931
contentType
object
stage
normalized
title
Double Oval Snuffbox
description
Originating in the Americas, the practice of “taking snuff,” or inhaling pulverized tobacco through the nose, became a common European custom by the 17th century. Consumers of all social levels and of both sexes would carry small, airtight boxes filled with the powdered tobacco, taking a pinch whenever they needed. Over time, however, society’s elites began to purchase and commission increasingly extravagant and precious boxes. Kings and Queens would often present snuffboxes to ambassadors as diplomatic gifts and to courtiers as payment for services. Made of a variety of precious materials, including gold, enamel, semiprecious stones, lacquer, and tortoiseshell, snuffboxes were coveted and enthusiastically collected. Displaying one’s collection of prized snuffboxes or stylishly retrieving an elegant box from one’s pocket were important social rituals; these objects revealed a person’s tastes, interests, and erudition. This snuffbox features two compartments, which allowed an individual to carry two different types of snuff. Set in the red enamel faces of the lids are circular medallions showing classical figures painted "en caimeau."
provenance
James A. Garland; James A. Garland Sale, American Art Association, New York, February 26, 1910, no. 32; General Brayton Ives, New York; General Brayton Ives Sale, American Art Association, New York, April 6, 1915, no. 189; Harding, New York (date and mode of acquisition unknown); purchased by Henry Walters, Baltimore, January 7, 1916; by bequest, Walters Art Museum, Baltimore 1931.
date
1770-1779
rightsUri
CC0
language
en
genreSpecific
Gold, Silver & Jewelry
snuffboxes
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
3.8
height
9.1
depth
2.7
dimensionsRaw
H: 1 1/2 × W: 3 9/16 × D: 1 1/16 in. (3.8 × 9.1 × 2.7 cm)
Source extras
inscriptions
[Mark of Goldsmith]On interior base and exterior bezel
mark for John Innocent: initials “I.I.” in square shield; [Mark of Assayer] on interior of base
indicating London Hall: leopard head; [Mark of Assayer] on interior base and exterior bezel
indicating London Hall: lion passant; [Date Mark] On the interior of the base
indicating the year 1778: C; [Restricted Warranty Mark] Twice struck on bezel
indicating import into Paris after January 1 1847: eagle head.
med
""guilloché"" gold, ""basse-taille"" enamel
creator_ids
5381
collection_ids
EAN
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
139a9bcc8e7d3399