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Source Description
This plaque is part of a series whose designs were based upon the woodcut illustrations of an edition of Virgil, "Opera," edited by Sebastian Brant and printed by Johann Grüninger in Strasbourg, September 9, 1502 (50th illustration, fol. 228). The same cuts appeared in an edition issued at Lyons in 1517 by Sacon. The plaque depicts a scene from the "Aeneid," (IV, vv. 663-695). Dido stabs herself with Aeneas' sword as she stands atop a flight of four steps near a funeral pyre on which are already burning "the Trojan garb and the familiar bed." The garments of Aeneas have been curiously rendered as the prostrate body of the hero himself. A throng of Carthaginians rushes to the scene and Anna calls upon her dying sister. Iris is sent by Juno to release Dido's "struggling soul from the imprisoning limbs."
Scholar Source Context
Document identity
localId
30151
label
The Suicide of Dido
core
obj
dtoType
object
citationUrl
pageCount
1
Source metadata
id
30151
sourceUrl
contentType
object
stage
normalized
title
The Suicide of Dido
description
This plaque is part of a series whose designs were based upon the woodcut illustrations of an edition of Virgil, "Opera," edited by Sebastian Brant and printed by Johann Grüninger in Strasbourg, September 9, 1502 (50th illustration, fol. 228). The same cuts appeared in an edition issued at Lyons in 1517 by Sacon. The plaque depicts a scene from the "Aeneid," (IV, vv. 663-695). Dido stabs herself with Aeneas' sword as she stands atop a flight of four steps near a funeral pyre on which are already burning "the Trojan garb and the familiar bed." The garments of Aeneas have been curiously rendered as the prostrate body of the hero himself. A throng of Carthaginians rushes to the scene and Anna calls upon her dying sister. Iris is sent by Juno to release Dido's "struggling soul from the imprisoning limbs."
provenance
Anatole Demidoff, Prince of San Donato [date and mode of acquisition unknown]; Prince of San Donato Sale, Paris, March 17, 1870, part II, lot 459; Jacques Seligmann, New York [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1902, by purchase [Emil Rey as agent]; Walters Art Museum, 1931, by bequest.
date
ca. 1530-1540 (Renaissance)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Enamels
plaques
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
22.4
height
20.1
dimensionsRaw
H: 8 13/16 x W: 7 15/16 in. (22.4 x 20.1 cm)
Source extras
RelatedObjects
40667
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med
painted enamel on silvered copper
creator_ids
3932
collection_ids
REN
exhibition_ids
2669
97
2744
Single page context
seq
1
pageIndex
0
type
photo
mediaId
9ad94ccb85114091