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Source Description
The composition includes many figures, according to a tradition established by the 14th-century formulation of the Crucifixion in Sienese painting. Mounted officials and foot-soldiers mingle in a dense throng, above which rise the three crosses. The drawing of Christ is of great beauty and reminds one of a Florentine Corpus of the Quattrocento. In the foreground at the foot of the cross is the group of holy women huddled around the swooning Virgin, watched by St. John. This is also remarkably executed. The diagonal position of the crucified thieves fits well into the roundel. An angel in gold hovers near the Good Thief, on Christ's right, and a demon is drawn in grisaille above the Bad Thief. Near the Centurion, a gilt scroll soars upward inscribed: VERE FILIVS DEI ERAT ISTE. Below the horse on the right an open scroll bears the monogram KIP.
Scholar Source Context
Document identity
localId
32014
label
The Crucifixion
core
obj
dtoType
object
citationUrl
pageCount
1
Source metadata
id
32014
sourceUrl
contentType
object
stage
normalized
title
The Crucifixion
description
The composition includes many figures, according to a tradition established by the 14th-century formulation of the Crucifixion in Sienese painting. Mounted officials and foot-soldiers mingle in a dense throng, above which rise the three crosses. The drawing of Christ is of great beauty and reminds one of a Florentine Corpus of the Quattrocento. In the foreground at the foot of the cross is the group of holy women huddled around the swooning Virgin, watched by St. John. This is also remarkably executed. The diagonal position of the crucified thieves fits well into the roundel. An angel in gold hovers near the Good Thief, on Christ's right, and a demon is drawn in grisaille above the Bad Thief. Near the Centurion, a gilt scroll soars upward inscribed: VERE FILIVS DEI ERAT ISTE. Below the horse on the right an open scroll bears the monogram KIP.
provenance
Cardinal Giacomo Antonelli, Minister to Pope Pius IX (1806-1876), Rome [date and mode of acquisition unknown]; Family of Cardinal Giacomo Antonelli, 1878, by bequest; George Robinson Harding, London, [date of acquisition unknown] by purchase; Henry Walters, Baltimore, June 17, 1904, by purchase; Walters Art Museum, 1931, by bequest.
date
mid 16th century (Renaissance)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Enamels
medallions
plaques
imageCount
1
pageCount
1
source
import
dimensionsRaw
Diam: 4 3/8 in. (11.1 cm)
Source extras
inscriptions
Transcription: VERE FILIVS DEI ERAT ISTESignature: KIP
med
painted enamels on copper
creator_ids
5908
collection_ids
REN
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
a1ec8b01a12b6d32