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Source Description
An "albarello" is a cylindrical maiolica jar that was originally used to hold medicines and dry drugs by an apothecary or pharmacist. The design originated in Iran or Syria and was introduced in Europe by North African craftsmen working in Spain. This example belongs to a larger group of wares with predominantly erotic motifs that have the initial "B" or "B°" on the back. The letter most likely refers to the workshop where the jars were made, but it could also refer a single patron who commissioned the group. Sexual and fertility imagery appear frequently on Renaissance objects made for private use. Especially with the high mortality rate of the time (bubonic plague being only one of the problems) fertility practices persisted in the Christian Middle Ages and the frequently erotic subject of the loves of the pagan gods became increasingly popular on all kinds of privately commissioned objects. Idealized and nearly-nude painted figures of young men and women were occasionally depicted on the undersides of the lids of cassoni (wedding chests) to stimulate fertility in upper class marriages
Scholar Source Context
Document identity
localId
32876
label
""Albarello"" with a Shepherdess Lifting Her Skirt
core
obj
dtoType
object
citationUrl
pageCount
2
Source metadata
id
32876
sourceUrl
contentType
object
stage
normalized
title
""Albarello"" with a Shepherdess Lifting Her Skirt
description
An "albarello" is a cylindrical maiolica jar that was originally used to hold medicines and dry drugs by an apothecary or pharmacist. The design originated in Iran or Syria and was introduced in Europe by North African craftsmen working in Spain. This example belongs to a larger group of wares with predominantly erotic motifs that have the initial "B" or "B°" on the back. The letter most likely refers to the workshop where the jars were made, but it could also refer a single patron who commissioned the group. Sexual and fertility imagery appear frequently on Renaissance objects made for private use. Especially with the high mortality rate of the time (bubonic plague being only one of the problems) fertility practices persisted in the Christian Middle Ages and the frequently erotic subject of the loves of the pagan gods became increasingly popular on all kinds of privately commissioned objects. Idealized and nearly-nude painted figures of young men and women were occasionally depicted on the undersides of the lids of cassoni (wedding chests) to stimulate fertility in upper class marriages
provenance
Sir Edgar and Lady Speyer, London; Walters Art Museum, 1961, by purchase.
date
ca. 1500-1520 (Renaissance)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Ceramics
jars
imageCount
2
pageCount
2
source
import
dimensionsRaw
8 1/8 in. (20.7 cm)
Source extras
inscriptions
[Transcription] On the side
in black: B°; [Inscription] On the bottom: 2/5
med
earthenware with tin glaze (maiolica)
creator_ids
33562
collection_ids
REN
exhibition_ids
1980
3816
Page inventory
seq
1
type
photo
mediaId
09ae312b8a3bbcb5
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
d4ae9a37cc8bbc62
hasOcr
no
hasDescription
no