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Source Description

In the center roundel of this dish, Diana, goddess of the moon and the hunt, sits under a fountain, attended by nymphs. On the outer rim, a series of putti (winged male babies) are shown dressed in armor, while carrying vessels and animals. On the back of the plate, Neptune—god of the sea—holds a trident and stands astride two dolphins, surrounded by ocean plants. These scenes are characteristic of “istoriato” wares, a style of maiolica that portrayed narrative subjects taken from Classical and Biblical texts. Maiolica painters often adopted their “istoriato” compositions from contemporary paintings, drawings, or engravings, and this dish is a prime example of the piecemeal manner in which some maiolica workshops made their wares. The scene of Diana and her nymphs likely originated from a drawing by Taddeo Zuccaro (1529-1566), while the cupids, satyrs, and trophies may be based on a drawing by Battista Franco Veneziano (1510-1561). The artist also imitated the Mannerist painting style by depicting muscular figures engaged in complex turning poses. This dish was produced by the Fontana family workshop, one of the most successful maiolica workshops in Urbino during the second half of the sixteenth century. To see other pieces made by the Fontana family workshop, click on the name in the creator field

Scholar Source Context

Document identity
localId
37660
label
Dish with Diana and Her Nymphs Bathing
core
obj
dtoType
object
pageCount
2
Source metadata
id
37660
contentType
object
stage
normalized
title
Dish with Diana and Her Nymphs Bathing
description
In the center roundel of this dish, Diana, goddess of the moon and the hunt, sits under a fountain, attended by nymphs. On the outer rim, a series of putti (winged male babies) are shown dressed in armor, while carrying vessels and animals. On the back of the plate, Neptune—god of the sea—holds a trident and stands astride two dolphins, surrounded by ocean plants. These scenes are characteristic of “istoriato” wares, a style of maiolica that portrayed narrative subjects taken from Classical and Biblical texts. Maiolica painters often adopted their “istoriato” compositions from contemporary paintings, drawings, or engravings, and this dish is a prime example of the piecemeal manner in which some maiolica workshops made their wares. The scene of Diana and her nymphs likely originated from a drawing by Taddeo Zuccaro (1529-1566), while the cupids, satyrs, and trophies may be based on a drawing by Battista Franco Veneziano (1510-1561). The artist also imitated the Mannerist painting style by depicting muscular figures engaged in complex turning poses. This dish was produced by the Fontana family workshop, one of the most successful maiolica workshops in Urbino during the second half of the sixteenth century. To see other pieces made by the Fontana family workshop, click on the name in the creator field
provenance
Jacques Seligmann, Paris, by purchase; Henry Walters, Baltimore, 1912, by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1560-1570 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Ceramics
dishes
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
6.7
height
43.3
dimensionsRaw
2 5/8 x 17 1/16 in. (6.7 x 43.3 cm)
Source extras
med
earthenware with tin glaze (maiolica)
creator_ids
15791
collection_ids
REN
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
ed030c43a940c4fc
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
4ac19be6fad16475
hasOcr
no
hasDescription
no