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Source Description
The prominently horizontal belt and squarish face place this image in a period after the national Cambodian style that developed in the 9th and 10th centuries had an impact upon Dvaravati territories. It is also conceivable that some of the robustness of the facial modeling is indebted to Cham sculptures of the late 9th century.
Scholar Source Context
Document identity
localId
4352
label
Standing Buddha
core
obj
dtoType
object
citationUrl
pageCount
1
Source metadata
id
4352
sourceUrl
contentType
object
stage
normalized
title
Standing Buddha
description
The prominently horizontal belt and squarish face place this image in a period after the national Cambodian style that developed in the 9th and 10th centuries had an impact upon Dvaravati territories. It is also conceivable that some of the robustness of the facial modeling is indebted to Cham sculptures of the late 9th century.
provenance
Mr. Lamai, Kamphaeng Phet, prior to January 20, 1951; Alexander B. Griswold, Monkton, January 20, 1951 [presented to the Breezewood Foundation, December 1960, inv. no. 136]; Walters Art Museum, 1992, by bequest.
date
10th century (Dvaravati)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Metal
sculpture (visual works)
imageCount
1
pageCount
1
source
import
dimensionsRaw
9 13/16 in. (25 cm)with base 11 1/2 in. (29.2 cm)
Source extras
cul
Thai
inscriptions
none
med
arsenical bronze, traces of gilding
creator_ids
2501
collection_ids
SEA
exhibition_ids
945
Single page context
seq
1
pageIndex
0
type
photo
mediaId
1955749452f3cef2