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Source Description
Shiva stands firmly on his lotus pedestal, arching his back in a stance associated with power in the region of Kerala, on India’s southwestern coast, where this sculpture was made. In his upper hands, he holds a battle axe—to cut through illusion—and an antelope, which expresses his role as lord of creatures. The goddess Ganga, a personification of the sacred Ganges River, looks out through Shiva’s hair. When she came to earth from the heavens, she traveled through Shiva’s thickly matted dreadlocks, in order to ease the force of her descent into a gentle flow. Shiva also wears the crescent moon in his hair, a symbol of time, marked by the moon’s waxing and waning. The crescent moon also appears at the peak of the flaming aureole that surrounds the god, along with a five-headed serpent (only two heads remain intact). The snake may allude to the time when Shiva destroyed the deadly poison that threatened both heaven and earth.In Kerata, sculptures like this one are carried by priests seated on elephants during ritual processions in and around a temple's grounds.
Scholar Source Context
Document identity
localId
5304
label
Shiva
core
obj
dtoType
object
citationUrl
pageCount
5
Source metadata
id
5304
sourceUrl
contentType
object
stage
normalized
title
Shiva
description
Shiva stands firmly on his lotus pedestal, arching his back in a stance associated with power in the region of Kerala, on India’s southwestern coast, where this sculpture was made. In his upper hands, he holds a battle axe—to cut through illusion—and an antelope, which expresses his role as lord of creatures. The goddess Ganga, a personification of the sacred Ganges River, looks out through Shiva’s hair. When she came to earth from the heavens, she traveled through Shiva’s thickly matted dreadlocks, in order to ease the force of her descent into a gentle flow. Shiva also wears the crescent moon in his hair, a symbol of time, marked by the moon’s waxing and waning. The crescent moon also appears at the peak of the flaming aureole that surrounds the god, along with a five-headed serpent (only two heads remain intact). The snake may allude to the time when Shiva destroyed the deadly poison that threatened both heaven and earth.In Kerata, sculptures like this one are carried by priests seated on elephants during ritual processions in and around a temple's grounds.
provenance
John and Berthe Ford, Baltimore; given to Walters Art Museum, 1989.
date
14th-15th century
citationUrl
rightsUri
CC0
language
en
genreSpecific
Metal
sculpture (visual works)
imageCount
5
pageCount
5
source
import
dimensions
units
cm
width
30.3
height
16
depth
12.5
dimensionsRaw
Overall H: 11 15/16 × W: 6 5/16 × D: 4 15/16 in. (30.3 × 16 × 12.5 cm); Base only H: 1 13/16 × W: 4 15/16 × D: 4 15/16 in. (4.6 × 12.5 × 12.5 cm)
Source extras
cul
Indian
med
copper alloy
creator_ids
2191
collection_ids
INT
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
98c670ece0d677b3
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
7a25f651d161b346
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
937a774c48444ba2
hasOcr
no
hasDescription
no
seq
4
type
photo
mediaId
7c602cb6c83ec3e9
hasOcr
no
hasDescription
no
seq
5
type
photo
mediaId
cdbc73214deba2f5
hasOcr
no
hasDescription
no