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Source Description
This casket, which would have been used to hold valuable trinkets and may have been intended as a sentimental gift, is decorated with amorous scenes from Classical mythology. On the front left, Actaeon is transformed into a stag as he watches Diana--goddess of the moon and the hunt--at her bath, while on the right, Thisbe mourns over the body of Pyramus. The casket's right side depicts two merchant ships with a city, perhaps Troy, in the background, and its left side portrays Jupiter disguised as a bull, kidnapping Europa. On the reverse, Prince Paris of Troy judges who is the most beautiful among the goddesses Minerva, Juno, and Venus, and Orpheus tames wild beasts with his music. This casket was made by a workshop known to art historians as that of the "Roman Triumphs" one of seven Venetian workshops that produced these caskets between the years 1503 and 1533. For more information on the production of the casket's white lead pastiglia decorations, see 65.16.
Scholar Source Context
Document identity
localId
6544
label
Small Casket with the Judgement of Paris
core
obj
dtoType
object
citationUrl
pageCount
1
Source metadata
id
6544
sourceUrl
contentType
object
stage
normalized
title
Small Casket with the Judgement of Paris
description
This casket, which would have been used to hold valuable trinkets and may have been intended as a sentimental gift, is decorated with amorous scenes from Classical mythology. On the front left, Actaeon is transformed into a stag as he watches Diana--goddess of the moon and the hunt--at her bath, while on the right, Thisbe mourns over the body of Pyramus. The casket's right side depicts two merchant ships with a city, perhaps Troy, in the background, and its left side portrays Jupiter disguised as a bull, kidnapping Europa. On the reverse, Prince Paris of Troy judges who is the most beautiful among the goddesses Minerva, Juno, and Venus, and Orpheus tames wild beasts with his music. This casket was made by a workshop known to art historians as that of the "Roman Triumphs" one of seven Venetian workshops that produced these caskets between the years 1503 and 1533. For more information on the production of the casket's white lead pastiglia decorations, see 65.16.
provenance
F. Ongania, Venice [date and mode of acquisition unknown]; Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
date
1505-1525 (Renaissance)
citationUrl
rightsUri
CC0
language
en
genreSpecific
boxes (containers)
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
13.7
height
19.4
dimensionsRaw
Overall: 5 3/8 x 7 5/8 in. (13.7 x 19.4 cm)
Source extras
med
Wood/gesso/gilt
creator_ids
6200
collection_ids
none
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
192e3c88bc4f1d28