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The broad silver headband consists of a flexible, tightly interlaced band, which has shield-shaped end-pieces and seven movable retainers with rhombic elements. End-pieces and retainers are executed in embossing and filigree technique; in addition they are gilded and the background is filled with green enamel. The floral decor on the end pieces combines different shaped leaves and stalks; and the rhombic elements display four three-foil attachments arranged around a central five-ball granulation cluster. The motifs of the end-pieces and retainers are framed with bead-molding borders. Such silver headbands formed the basis of a woman's headpiece. The large loops at the end-pieces were used to fix the band at the headscarf, and the smaller loops on the rhombic elements to fasten smaller (often ball-shaped) dangles. Headpieces such as this were common in northern regions of Yemen.The back of the end pieces has an Arabic stamp with the name of the ruling imam and the date: al-Mahdi 1171. Al-Mahdi al-"Abbas was the imam of Yemen from AH 1161 to 1189 (AD 1748-1775), and belonged to then Qasimid family. In 1762/63 he met the German explorer Carsten Niebuhr, who reported on this encounter.An engraving in Hebrew on the back of the other end-piece names the silversmith: Sa'id "Iraqi. The Hebrew script clearly states that the silversmith was Jewish, and the name indicates that he or his family originally came from Iraq.