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Source Description
This ivory carving was produced in the Portuguese colony of Goa, on India’s western coast, where such sculptures were made for export and for Catholic missionaries in India. Aware of Mughal interest, Jesuits might have brought similar sculptures to the court. Jesus was regarded as a prophet in Islam, and images of Jesus and other prophets were collected by the Mughal courtiers and painted on the walls of Mughal palaces.This popular compositional type of carved ivory statuette depicting the Good Shepherd was apparently invented in Goa (west coast of India), a Portuguese colony and Jesuit training center for missionaries. At the bottom, Christ's follower Mary Magdalene reads scriptures in a mountain cave, where, according to legend, she retired in later life. Above is a fountain of life (suggestive of baptism) with doves and lambs, and at the top is the meditative figure of the Christ Child sitting with a lamb. Christ's eyes are closed. The gesture of his right hand, lightly touching his hair with two fingers, is seen by some scholars as adopting a gesture of the Buddha.
Scholar Source Context
Document identity
localId
8897
label
The Christ Child as Good Shepherd
core
obj
dtoType
object
citationUrl
pageCount
7
Source metadata
id
8897
sourceUrl
contentType
object
stage
normalized
title
The Christ Child as Good Shepherd
description
This ivory carving was produced in the Portuguese colony of Goa, on India’s western coast, where such sculptures were made for export and for Catholic missionaries in India. Aware of Mughal interest, Jesuits might have brought similar sculptures to the court. Jesus was regarded as a prophet in Islam, and images of Jesus and other prophets were collected by the Mughal courtiers and painted on the walls of Mughal palaces.This popular compositional type of carved ivory statuette depicting the Good Shepherd was apparently invented in Goa (west coast of India), a Portuguese colony and Jesuit training center for missionaries. At the bottom, Christ's follower Mary Magdalene reads scriptures in a mountain cave, where, according to legend, she retired in later life. Above is a fountain of life (suggestive of baptism) with doves and lambs, and at the top is the meditative figure of the Christ Child sitting with a lamb. Christ's eyes are closed. The gesture of his right hand, lightly touching his hair with two fingers, is seen by some scholars as adopting a gesture of the Buddha.
provenance
Don Marcello Massarenti Collection, Rome; purchased by Henry Walters, Baltimore, 1902; by bequest to Walters Art Museum, 1931.
date
17th century
citationUrl
rightsUri
CC0
language
en
genreSpecific
Ivory & Bone
statuettes (statues)
imageCount
7
pageCount
7
source
import
dimensions
units
cm
width
17.4
height
6.8
depth
5
dimensionsRaw
H: 6 7/8 × W: 2 11/16 × D: 1 15/16 in. (17.4 × 6.8 × 5 cm)
Source extras
med
ivory
creator_ids
2191
collection_ids
INT
BAR
exhibition_ids
1994
215
3334
Page inventory
seq
1
type
photo
mediaId
5b9dc0e82fe7512d
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
60e0fac1e4482259
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
3369a90fd56297d7
hasOcr
no
hasDescription
no
seq
4
type
photo
mediaId
69755c01d24b18c7
hasOcr
no
hasDescription
no
seq
5
type
photo
mediaId
fb310d49bcd3a52b
hasOcr
no
hasDescription
no
seq
6
type
photo
mediaId
785ef5705b0a2225
hasOcr
no
hasDescription
no
seq
7
type
photo
mediaId
05bcf39b6ce45dda
hasOcr
no
hasDescription
no