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This manuscript, completed in the later part of the thirteenth century, contains William of Tyre's Estoire d'Eracles (to 1229), Les Faits des Romains (continuation, Tiberius to Julian), and a letter of Prester John. While the origin of the manuscript is debatable between Acre and Paris, Jaroslav Folda suggests a strong connection with Epinal 45, a manuscript known to have been created in Paris during this same time. Versions of William of Tyre's work were particularly popular in France during the latter part of the thirteenth century. The volume of William de Tyre's history of the Crusades housed at the Walters Art Museum features eighteen historiated initials, completed by four different artists' hands, of varying competence. What sets this particular manuscript apart from its contemporaries is the two unusual appended texts and its selective pictorial style.

Page data

Page
2
Source index
0
Type
photo
Media ID
87b0b8a6e4297288
Size
unknown

Document data

ID
8971
Core
obj
Type
object
DTO data
{
    "id": "8971",
    "sourceUrl": "https://purl.thewalters.org/art/W.137",
    "contentType": "object",
    "stage": "normalized",
    "title": "William of Tyre's \"\"Histoire d'Outre Mer\"\"",
    "description": "This manuscript, completed in the later part of the thirteenth century, contains William of Tyre's Estoire d'Eracles (to 1229), Les Faits des Romains (continuation, Tiberius to Julian), and a letter of Prester John. While the origin of the manuscript is debatable between Acre and Paris, Jaroslav Folda suggests a strong connection with Epinal 45, a manuscript known to have been created in Paris during this same time. Versions of William of Tyre's work were particularly popular in France during the latter part of the thirteenth century. The volume of William de Tyre's history of the Crusades housed at the Walters Art Museum features eighteen historiated initials, completed by four different artists' hands, of varying competence. What sets this particular manuscript apart from its contemporaries is the two unusual appended texts and its selective pictorial style.",
    "provenance": "Gordon of Buthlaw, mid 19th century; Bertram, 4th Earl of Ashburnham, London, 1861, no. CLIV; Sale, Sotheby's, London, March 16, 1903, lot 689; purchased by Léon Gruel, Paris, March 16, 1903 [1]; puchased by Henry Walters, Baltimore, 1903; by bequest to Walters Art Museum, 1931.[1] Gruel and Engelmann bookplate 'No 138'",
    "date": "4th quarter 13th century",
    "citationUrl": "https://purl.thewalters.org/art/W.137",
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    "language": "en",
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    "dimensionsRaw": "Folio H: 13 7/16 × W: 9 5/8 in. (34.1 × 24.5 cm)"
}

Context sent to Scholar

Document identity
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    "localId": "8971",
    "label": "William of Tyre's \"\"Histoire d'Outre Mer\"\"",
    "core": "obj",
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Document source metadata
{
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    "contentType": "object",
    "stage": "normalized",
    "title": "William of Tyre's \"\"Histoire d'Outre Mer\"\"",
    "description": "This manuscript, completed in the later part of the thirteenth century, contains William of Tyre's Estoire d'Eracles (to 1229), Les Faits des Romains (continuation, Tiberius to Julian), and a letter of Prester John. While the origin of the manuscript is debatable between Acre and Paris, Jaroslav Folda suggests a strong connection with Epinal 45, a manuscript known to have been created in Paris during this same time. Versions of William of Tyre's work were particularly popular in France during the latter part of the thirteenth century. The volume of William de Tyre's history of the Crusades housed at the Walters Art Museum features eighteen historiated initials, completed by four different artists' hands, of varying competence. What sets this particular manuscript apart from its contemporaries is the two unusual appended texts and its selective pictorial style.",
    "provenance": "Gordon of Buthlaw, mid 19th century; Bertram, 4th Earl of Ashburnham, London, 1861, no. CLIV; Sale, Sotheby's, London, March 16, 1903, lot 689; purchased by Léon Gruel, Paris, March 16, 1903 [1]; puchased by Henry Walters, Baltimore, 1903; by bequest to Walters Art Museum, 1931.[1] Gruel and Engelmann bookplate 'No 138'",
    "date": "4th quarter 13th century",
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Document source extras
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    "style": "Gothic",
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    "exhibition_ids": [
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Page context
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    "type": "photo",
    "url": "https://art.thewalters.org/images/raw/CPS_W.137_000002_sap.jpg",
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