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OPERATIONAL PROCEDURES
CARE AND HANDLING OF ART OBJECTS
(2) When moving unmounted material, lift each sheet by
the upper corners so that it hangs free without
buckling. Use great care to avoid bending, crack-
ing or tearing. Support such works on clean card-
boe.rd when carrying them by hand.
(3) Never stack prints, drawings, etc.. one on top of
another unless they are matted or are separated by
cellophane,glnssine or tissue paper. Do not allow
neweprint, prints matter, or other paper of poor
quality to come into dirct contact with the objects.
Cover works, awaiting installation or transportation,
with tissue paper to exclude dust and dirt.
(4) Do not permit works on paper to be shuffled or rubbed
ageinst each other. Difficult and expensive re-e
touching is the only way in which damage in this
manner can be repaired.
(5) Do not oxposo prints, drawings, water colors, and
I
illuminated manuscripts to direct sunlight whether
on exhibition, awai ting installetion, or in storage.
b. Rare Books.
(1) Many bindings which appear to be in good condition
are extremely fragile. Leather bindings are casily
stained. Do not handle rare books unless it is
necessary for you to do so.
(2)
Turn the pages from the upper, outer corners when
it is necessary to open books. Moistened fingers
are extremely hormful to paper.
(3) Books should be opened gently so a.s not to crack
the bindings; never try to me.ke an open book lie
flat. Avoid stacking open books one on top of
another. Do not place open books face down, or
stand books on their front edges, whe ther on tables,
trucks, or shelves.
-31-
EH
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Context sent to Scholar
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"ocrText": "OPERATIONAL PROCEDURES\nCARE AND HANDLING OF ART OBJECTS\n(2) When moving unmounted material, lift each sheet by\nthe upper corners so that it hangs free without\nbuckling. Use great care to avoid bending, crack-\ning or tearing. Support such works on clean card-\nboe.rd when carrying them by hand.\n(3) Never stack prints, drawings, etc.. one on top of\nanother unless they are matted or are separated by\ncellophane,glnssine or tissue paper. Do not allow\nneweprint, prints matter, or other paper of poor\nquality to come into dirct contact with the objects.\nCover works, awaiting installation or transportation,\nwith tissue paper to exclude dust and dirt.\n(4) Do not permit works on paper to be shuffled or rubbed\nageinst each other. Difficult and expensive re-e\ntouching is the only way in which damage in this\nmanner can be repaired.\n(5) Do not oxposo prints, drawings, water colors, and\nI\nilluminated manuscripts to direct sunlight whether\non exhibition, awai ting installetion, or in storage.\nb. Rare Books.\n(1) Many bindings which appear to be in good condition\nare extremely fragile. Leather bindings are casily\nstained. Do not handle rare books unless it is\nnecessary for you to do so.\n(2)\nTurn the pages from the upper, outer corners when\nit is necessary to open books. Moistened fingers\nare extremely hormful to paper.\n(3) Books should be opened gently so a.s not to crack\nthe bindings; never try to me.ke an open book lie\nflat. Avoid stacking open books one on top of\nanother. Do not place open books face down, or\nstand books on their front edges, whe ther on tables,\ntrucks, or shelves.\n-31-\nEH"
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