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[HRC Background File] Monday January 31 [1994]
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26083078
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[HRC Background File] Monday January 31 [1994]
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Records of the First Lady's Office (Clinton Administration)
Elizabeth "Liz" Bowyer's Files
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Withdrawal/Redaction Sheet
Clinton Library
DOCUMENT NO.
SUBJECT/TITLE
DATE
RESTRICTION
AND TYPE
001. schedule
Schedule for Hillary Rodham Clinton, Final [partial] (1 page)
1/31/94
b(6)
COLLECTION:
Clinton Presidential Records
First Lady's Office
Liz Bowyer
OA/Box Number: 3983
FOLDER TITLE:
[HRC Background File] Monday, January 31 [1994]
2014-0483-S
sb384
RESTRICTION CODES
Presidential Records Act - [44 U.S.C. 2204(a)]
Freedom of Information Act - [5 U.S.C. 552(b)]
P1 National Security Classified Information [(a)(1) of the PRA|
b(1) National security classified information |(b)(1) of the FOIA]
P2 Relating to the appointment to Federal office [(a)(2) of the PRA]
b(2) Release would disclose internal personnel rules and practices of
P3 Release would violate a Federal statute [(a)(3) of the PRA
an agency [(b)(2) of the FOIA]
P4 Release would disclose trade secrets or confidential commercial or
b(3) Release would violate a Federal statute [(b)(3) of the FOIA]
financial information [(a)(4) of the PRA]
b(4) Release would disclose trade secrets or confidential or financial
P5 Release would disclose confidential advice between the President
information [(b)(4) of the FOIAJ
and his advisors, or between such advisors [a)(5) of the PRA]
b(6) Release would constitute a clearly unwarranted invasion of
P6 Release would constitute a clearly unwarranted invasion of
personal privacy [(b)(6) of the FOIA]
personal privacy [(a)(6) of the PRA]
b(7) Release would disclose information compiled for law enforcement
purposes |(b)(7) of the FOIA]
C. Closed in accordance with restrictions contained in donor's deed
b(8) Release would disclose information concerning the regulation of
of gift.
financial institutions [(b)(8) of the FOIA]
PRM. Personal record misfile defined in accordance with 44 U.S.C.
b(9) Release would disclose geological or geophysical information
2201(3).
concerning wells [(b)(9) of the FOIA]
RR. Document will be reviewed upon request.
Monday January 31
PHOTOCOPY
PRESERVATION
- Spoke to Tess Moore Melissa's Assit
Informal
- no - set agenda
- no remarks
-HRCas host
-Worting to Hear from Jessica in intrgorimental cel.
-Briefina is being done - can get it Wed IThers
Gov spouses
624- - Lunch
Contact
7810
I Melissa SX Halke
Amans Tess More
FRIDAY 1/28
GOVERNOR'S OFC. ST. WY ID:3076323909
JAN 28'94 14:40 No.016 P.01
COUR
10
SCAL
STATE
THE
STATE OF WYOMING
OFFICE OF THE GOVERNOR
MIKE SULLIVAN
CHEYENNE 82002
GOVERNOR
THE FOLLOWING DOCUMENTS ARE BEING SENT VIA
SHARP F0-511 FACSIMILE TRANSCEIVER.
Danpartus
Please call (307) 777-7434 immediately if complications develop.
/
TRANSMITTAL WILL INCLUDE
PAGE (S) + COVER.
1-28-94
DATE:
Liz Bowyer
483-
TO:
3000
ADDRESS:
% White House
FACSIMILE
TELEPHONE #
202-456-2239
FROM:
GOVERNOR'S OFFICE
STATE OF WYOMING
MIKE SULLIVAN, GOVERNOR
TELEPHONE #
(307) 777-7434
GOVERNOR'S OFFICE
FACSIMILE #
(307) 632-3909
SPECIAL INSTRUCTIONS:
3
Apple
blossom
PLEASE DELIVER AS SOON AS POSSIBLE
Tipper
a No Sandykidd
stat flower state flower
Withdrawal/Redaction Marker
Clinton Library
DOCUMENT NO.
SUBJECT/TITLE
DATE
RESTRICTION
AND TYPE
001. schedule
Schedule for Hillary Rodham Clinton, Final [partial] (1 page)
1/31/94
b(6)
COLLECTION:
Clinton Presidential Records
First Lady's Office
Liz Bowyer
OA/Box Number: 3983
FOLDER TITLE:
[HRC Background File] Monday, January 31 [1994]
2014-0483-S
sb384
RESTRICTION CODES
Presidential Records Act - [44 U.S.C. 2204(a)]
Freedom of Information Act - [5 U.S.C. 552(b)]
P1 National Security Classified Information |(a)(1) of the PRA]
b(1) National security classified information [(b)(1) of the FOIA]
P2 Relating to the appointment to Federal office [(a)(2) of the PRA]
b(2) Release would disclose internal personnel rules and practices of
P3 Release would violate a Federal statute [(a)(3) of the PRAJ
an agency |(b)(2) of the FOIA]
P4 Release would disclose trade secrets or confidential commercial or
b(3) Release would violate a Federal statute [(b)(3) of the FOIA]
financial information [(a)(4) of the PRA]
b(4) Release would disclose trade secrets or confidential or financial
P5 Release would disclose confidential advice between the President
information ((b)(4) of the FOIA]
and his advisors, or between such advisors [a)(5) of the PRA]
b(6) Release would constitute a clearly unwarranted invasion of
P6 Release would constitute a clearly unwarranted invasion of
personal privacy [(b)(6) of the FOIA]
personal privacy |(a)(6) of the PRA
b(7) Release would disclose information compiled for law enforcement
purposes [(b)(7) of the FOIA]
C. Closed in accordance with restrictions contained in donor's deed
b(8) Release would disclose information concerning the regulation of
of gift.
financial institutions [(b)(8) of the FOIA]
PRM. Personal record misfile defined in accordance with 44 U.S.C.
b(9) Release would disclose geological or geophysical information
2201(3).
concerning wells [(b)(9) of the FOIA]
RR. Document will be reviewed upon request.
SCHEDULE FOR HILLARY RODHAM CLINTON
DATE: MONDAY, JANUARY 31, 1994
FINAL
Scheduling Desk:
Sara Grote
202-456-2922
office
202-456-2317
fax
202-483-7312
home
1-800-528-7528
WHCA#4363
PREV RON
The White House
11:00 am
001
(b)(6)
12:15 pm-
617- in
1:45 pm
GOVERNOR'S SPOUSES LUNCHEON
0188
Yellow Oval Room
CLOSED PRESS
Format: HRC to deliver brief welcoming
remarks. Lunch is served.
Participants: Approx. 40 spouses to attend.
[See briefing for more info.]
Contact: Marsha Hale
456-7060
Staff Contact: Sarah Ryan
456-7136
2:00 pm-
2:15 pm
MEET & GREET W/National Wildlife Research
Center
Diplomatic Reception Room
CLOSED PRESS
Flower
SCHEDULE FOR HILLARY RODHAM CLINTON
MONDAY, JANUARY 31, 1994
PAGE 2
Format: HRC & Jane Sullivan will proceed to
Diplomatic Reception Room together. Jane
Sullivan to make introductions. Dr.
Northington, Executive Director of National
Wildlife Research Center to present HRC with
porcelain Arkansas state flower. Meet and
greet.
Participants: 6 people to attend. [See
briefing for more info.]
Contact: Jane Sullivan
307-632-1717
J.W. Marriott, DC
202-393-2000
RON
The White House
FORECAST FOR WASHINGTON, DC:
-Cloudy with snow. Minimum temp. 26 to 31. Maximum temp. 31 to
36.
KENNEDY CENTER EVENTS:
-Ariadne Auf Naxos Saito & Baldwin
ARENA STAGE:
-The Price
01/26/1994 14:54
5129290513
NAT'L WILDFLOWER RES
PAGE 01
NATIONAL
CENTER
2600 FM 973 NORTH AUSTIN. TEXAS 78725 4201 512-929-3600
COCHAIRS
RESEARCH
OFFICERS
Mr
KJT
January 28, 1994
TRUSTLES
Robbs
MA
Challesw
MEMO
To: Liz Bowyer, Assistant to Mrs. Clinton
MI
From: Mae Daniller, Development Director,
National Wildflower Research Center
343-2460
Compenic-
Ats
Subject: Information for 2 p.m. presentation on Monday January 31, 1994
National Wildflower Research Center and Connoisseur
MIN
LAT
Mr. Carlife
Enclosed is information you requested on the National Wildflower
liege
Mo.
Research Center and Connoisseur of Malvern, Ltd. We are delighted and
excited to be presenting Mrs. Clinton and Mrs. Gore with these wildflower
Name:
porcelain sculptures. If you require any further information please give
me a call.
CC: Dr. David Northington
11,
MA Plan Artine
VIA FAX (202) 456-2239 - to Liz Bowyer
FROM FAX (512) 929-0513 - from Mae Daniller
Nit Panne
# of pages (including cover) - 13
Now
/
Charken
into
:
sugnit
:
:
Mr.
Mr.
Sleve.
Age.
Hean
Statements
:
M1,
Mis
Kuths
Water
White
HONORARY
Parlice:
.
M Denails Tymes
100%
01/28/1994 14:54
5129290513
NAT'L WILDFLOWER RES
PAGE 02
NATIONAL WILDFLOWER
RESEARCH CENTER
NATIONAL RESEARCH WILDELOWER WILDFLO CENTER
01/28/1994 14:54
5129290513
NAT'L WILDFLOWER RES
PAGE 03
MISSION STATEMENT
A critical problem facing the earth and its
inhabitants is the ecological imbalance caused
by the loss of native flora.
The National Wildflower Research Center
was created in 1982 by Lady Bird Johnson to
encourage a legacy of natural beauty and
ecological stability, and to foster a desirable
environment for future generations.
The Wildflower Center is a research and
educational organization committed to the
preservation and reestablishment of native
wildflowers, grasses, shrubs, and trees.
01/28/1994 14:54
5129290513
NAT'L WILDFLOWER RES
PAGE 04
NATIVE PLANTS:
AN ENDANGERED HERITAGE
The National Wildflower Research Center
is dedicated to the conservation of North
"Today in an era when water
American native flora, and to the propagation
tables are dropping and the costs
and reestablishment of native wildflowers,
of maintaining public landscapes
like city parks are soaring, we need
grasses, shrubs, and trees in our planned
the gallant persistence of these
landscapes. Founded in 1982 by Lady Bird
plants that demand less attention
than thirsty hybrid grasses and
Johnson and a group of volunteers from
garden exotics... Wildflower
across the nation, the Wildflower Center
landscapes can help us save
offers practical, solution-oriented approaches
water."
- Lady Bird Johnson
to environmental problems.
Effective repair of a damaged environment
must include the reestablishment of its eco-
THE NATIONAL WILDFLOWER
logical base: native plants. Sadly, of the
RESEARCH CENTER:
20,000 flowering plant species native to North
RESPONDING TO NATURE'S NEEDS
America, almost 3,000 are threatened with
extinction because of the loss of their natural
The National Wildflower Research Center
habitats to residential, industrial, and agricul-
encourages the conservation and use of
tural development. Yet this loss can be re-
native plants in North American landscapes
versed. Restoring native plants can help
by providing current and reliable information
restore stability to the entire ecosystem.
about our native flora to those who can use
that information to make a difference. This
mission is accomplished by providing educa-
tional programs, by conducting basic and
applied research, and by serving as an infor-
mation clearinghouse.
Page 1
01/28/1994 14:54
5129290513
NAT WILDFLOWER RES
PAGE 05
Education
Information
The Wildflower Center's primary focus
The Center's Clearinghouse compiles and
continues to be educating the public about
disseminates information on native plants.
the ecological, economic, and aesthetic
Working with individuals and institutions, the
importance of wildflowers and other native
Clearinghouse maintains a comprehensive
flora. Programs such as workshops, confer-
database on native plants, including recom-
ences, teacher-training seminars, and dem-
mended species lists for each state, regional
onstration plantings reach everyone from
seed sources and native plant nurseries,
schoolchildren to professional landscape
bibliographles, and lists of related Interest
designers. Publications and traveling exhibits
groups and resource people. Clearinghouse
also help educate our members and the
botanists answer questions and provide
public about the importance of native flora.
essential reference resources for state agen-
Current publications include the members'
cies, landscape architects and designers,
newsletter, the Wildflower Handbook, more
nurserymen, and others engaged in wildflower
than 250 fact sheets, and a variety of
research.
educational materials.
Response to the Center's programs has
Research
been overwhelming. Membership stands at
By conducting basic and applied re-
20,000 and is growing. Articles about the
search, the Center works to gain a greater
Center's work have appeared in National
understanding of the life-cycles of native
Geographic, Smithsonian, Readers Digest,
plants and how they can be propagated,
Time, The New York Times, House Beautiful,
established, and managed. Understanding
Better Homes and Gardens, and hundreds of
how these plants function in their natural
local and regional publications. The Center
environments can help all of us find ways to
has been featured on PBS, CBS, CNN, and
restore native plant communities and to save
NPR reports and special programs.
threatened species from extinction.
Page 2
01/28/1994 14:54
5129290513
NAT'L WILDFLOWER RES
PAGE 06
GROWING TOWARD THE FUTURE
The Current Facility
The New Facility
The National Wildflower Research Center
The Center has embarked on an $8-million
now occupies a modest one-story building
capital building campaign to fund the con-
located on sixty acres just east of Austin,
struction of a new facility. A 42-acre site has
Texas. On this land, the Center operates a
been acquired and will serve as the location
propagation house, laboratory, potting shed,
for a 34,000-square-foct building and numer-
and shadehouse, along with demonstration
ous outbuildings and outdoor areas. The
and field research plots. It now employs 20
space will allow for much-needed expansion
staff members and draws on the talents of
of existing programs and enable the Center to
more than 100 volunteers. However, there Is
enhance the quality of the experience it offers
essentially no space for the public, no room
thousands of visitors each year. Special
for growth in research and education pro-
emphasis will be placed on children's educa-
grams, and no place to host on-site meet-
tional programs; extensive demonstration
ings, workshops, seminars, and short
gardens, research plots, and landscape
courses.
design styles will be exhibited.
Expanded facilities will allow the Center to
more vigorously pursue one of its primary
Conservation of water and
other natural resources will
goals: coordinating the efforts of amateurs
be a central theme for the
and professionals who want to work together
development of the buildings,
to address environmental problems. Bota-
demonstration gardens, and
research plots. The new
nists, horticulturists, landscape architects,
facility will be a model of
nursery managers, land managers, home-
environmental sensitivity.
owners, governmental agencies - must all
be partners in this vital effort. No other organ-
ization helps develop the kind of cooperative
relationships needed to get results.
Page 3
01/28/1994 14:54
5129290513
NAT'L WILDFLOWER RES
PAGE
07
The Newsletter of the National Wildflower Research Center
Volume 9, Number 6 November/December
WILDFLOWE
A non-profit organization dedicated to researching and promoting wildflowers to further their economic, environmental. and aesthetic use.
Architectural plans for new facility taking shape
NORTH ELEVATION
The Wildflower Center's new home will be nestled into a beautiful Texas Hill Country site just southwest of downtown Austin.
Our renth anniversary has been exciting
ity to demonstrate how construction me-
resources.
and hectic: much of our attention has
thods can be environmentally responsi-
The display gardens will feature
been focused on developing architec-
ble. We'll nestle the buildings into exist-
examples of native annuals and peren-
tural plans for our new facility, which
ing topographic features and protect all
nials used in formal and "wild" land-
should open by the summer of 1994.
significant trees on the site, using build-
scapes, native grasses for lawn and
The move from a former hayfield
ing techniques that require minimal cut-
landscaping use, and shrubs, trees, and
to a 42-acre site in the heart of the Texas
and-fill disturbance. Plus. the building is
understory (shade-loving) plants suit-
Hill Country will symbolize our growth
designed for maximum energy efficien-
able for all types of landscapes. Theme
- and potential - as a true force on
cy, using breezeways, wide porches,
gardens will include a pollination gar-
the national environmental scene.
passive solar heating, and zoned air
den, an endangered species garden,
The new facility will provide in-
conditioning systems.
and a garden with plants that native
creased visitor access space, something
We'll also show how to conserve
peoples used for food, fiber medicine.
sorely needed at our present site. In
irrigation water, by using cisterns to col-
dyes, and building materials. Our
fact. the new building will be large
lect roof runoff for later use -- a system
(read on, page 6)
enough to enable us to offer regular ed-
we've used successfully at our present
ucational programming such as work-
site for the past eight years.
shops, seminars, and regional and na-
The new facility will further our
tional conferences for professionals,
educational goals by demonstrating a
New facility from page 1
academicians, and homeowners. Our
range of landscaping approaches from
new home will have a 250-seat auditor-
stylized formal areas to more natural-
younger - and older - visitors
ium, five classroom-sized meeting
looking ones, S0 our visitors can see
will enjoy our plant "petting
areas, a multi-purpose room that can be
how they might incorporate native
200." Also planned is a research
divided into smaller areas, and à large
plants into their own landscaped arcas.
study comparing the cost of
educational display gallery for perma-
We want our displays at the new Wild-
maintaining a traditional yard
nent and rotating exhibits. The grounds
flower Center to invite visitor participa-
using exotic plants and one using
will include numerous research display
tion to a greater degree than our present
native plants.
gardens, landscaped areas, theme gar-
site allows. Displays will emphasize re-
We hope you're as excited
dens, and plant communities such as a
source conservation and its role in help-
about this project as we are. We'll
preserved woodland and an enhanced
ing humans develop a sustainable co-
keep you posted as our new
natural grassland.
existence with the land. Visitors will
home springs from the ground.
We're excited about this new facili-
learn how native plants help in
ty because i! will give us an opportun-
preserving and conserving natural
GIFTS INSULE
01/28/1994 14:54
5129290513
NAT'L WILDFLOWER RES
PAGE 08
Connoisseur
In 1979, a small group of talented and highly
experienced artists and craftspeople. recognized as
some of the finest in the world. gathered together
under one banner. Connoisseur
Their inspiration - a fervent desire to achieve that
which had never been done before: with an
uncompromising quest for quality, and an unyielding
commitment to the creation of superior works of art in
porcelain.
The Artists
Terry Lewis
Joint founder, director, creative
The artists and craftspeople of Connoisseur seek to
assembler and head of
achieve perfection and authenticity, and believe that this
marketing worldwide.
high level of creativity can only be obtained and
maintained through the dedication of each member of
the small but highly skilled team. The importance of
individual skill is given particular recognition through
the system of 'makers marks': each sculpture carries
the personal symbol of each artist and craftsperson
involved in its creation. To produce that which is
beautiful is surely one of the world's most rewarding
tasks. The artists and craftspeople of Connoisseur are
fully aware of this, and in return they meticulously
create sculptures of beauty and quality which they trust
will give much pleasure to those who acquire them.
The creation of Connoisseur's highly detailed sculptures
Diane Lewis
is a complex process, beginning with the designer's
Joint founder, director, designer
and flower maker whose work
original concept. This involves many hours of research:
Perhaps the most
is exhibited internacionally.
books. museums, and various experts are all consulted,
challenging of all
and the subject is studied at first hand.
stages is the asse
of the clay casts
(or 'greenware')
Anthony Tunson
Director. artist and designer
and head of art department.
All sizes shown are approximate and colours
are as accurate es printing processes allow.
The model is somewhat
Some of the major works of art are not
larger than the
illustrated in this brochure. Details of these
and the full Connoisseur range (an be
finished porcelain
Ly contacting the studio 01 the
sculpture
address shown.
will be
01/28/1994 14:54
5129290513
NAT'L WILDFLOWER RES
PAGE 09
[CHIDO
A master mould-maker
pouring the first
plaster
Props are removed
and the model is
carefully examined
After all information has been assembled,
caster begins his work. The moulds are
the designer then sculpts a three-dimensional
inspected carefully. as all tolerances must be
model in plasticene, 0 soft clay material
perfect. The liquid slip is poured into the
used expressly for this purpose. The model
plaster moulds. The plaster, being porous.
is somewhat larger then the finished
absorbs water from the slip, causing a skin
porcelain sculpture will be, to allow for the
of clay to develop around the inside of the
considerable contraction that takes place
mould. In approximately two-and-a-half
during the initial firing Throughout this
minutes, the clay has thickened enough.
stage, the model is continually checked for
and the excess slip is poured away. After an
accuracy, authenticity, and attention to detail.
additional drying period, the clay cast is
removed from the mould.
Once the model is approved, it is cut into
individual parts, the number depending on
Perhaps the most challenging of all
II
the complexity and intricacy of the design.
stages is the assembly of the clay casts
semble
Plaster moulds ('master' or 'block' moulds)
(or 'greenware'), which have the delicacy of
are made to produce the negative image of
an eggshell. This necessitates extremely
each plasticene part. On average only ten
careful handling and tests the caster's
models can be obtained from one set of the
concentration to the fullest. Assembly is
master moulds. so every part of the first
accomplished by using a formula which
master mould has a positive image taken
incorporates the same slip as a major
from it using a denser and stronger plaster.
ingredient. The completed greenware model
From these 'case' moulds, the negative
is then allowed to dry.
working moulds can be produced. and as
their detail is lost, new working moulds with
The flowermaking is complex in itself, being
the same clarity as the original masters can
95% hand orientated. The clay is a bone
be made.
china mixture with a gum arabic additive.
The flower is assembled in stages, each part
The clay used by Connoisseur is English fine
joined with slip. Many parts of the flowers-
bone china, consisting of kaolin (china clay).
stamen, buds, calyx are made completely
china stone. and calcined OX bone. The
by hand, and this may involve hundreds or
resulting body is both strong and, when
even thousands of separate parts. The
fired, pure white. Because of its exceptional
resulting small variations in shape means
quality, the exact formula is closely guarded.
each sculpture is unique.
Water is added to this formula, and the
Preparation for firing is complex work, as the
resulting mixture is called "Slip". Now the
greenware models need "propping" with a
01/28/1994 14:54
5129290513
NAT WILDFLOWER RES
PAGE 10
removed and the model is examined for any
cracks or defects. If not perfect, the model
is destroyed.
The perfect model is then glazed; that is to
say, It Is covered with a mixture of 70% clay
and 30% glass. which seals the porous
surface of the ciay. The glaze must be
sprayed in a vaporized mist so as not to
obscure any of the fine detail.
The second firing (glaze or 'glost' firing) is at
the slightly lower temperature of 1080°C
(2250°F). Props are no longer needed as the
model now has its own integral strength.
Upon completion of this firing the model is
again examined to make absolutely sure it
is flawless.
Finally, the delicate work of the painter is
The art of flower
making is completely
brought into focus. The careful use of every
hand done. With the
natural hue is demanded, and the tones of a
delicate small flowers
sculpture must be reproduced as close as
the craft is completely
possible to the subject in reality: This calls
free-hand
for years of experience with these
temperamental colours.
1 he colours are made from metallic oxides,
obtained in powder form and mixed by each
painter to suit his or her own requirements.
The first layer of colour is applied 50 subtly
that in some instances it can barely be
detected. On average each sculpture will
receive three applications of colour, with a
The first layer of
firing between each. This is done SO that
colour is applied
exact depth of colour can be achieved. The
so subtly
artist must remember that many colours will
change drastically as the scuipture is
subjected to repeated firings. The duration
series of clay supports. Since the supports
of a colour firing is 12-16 hours at a
are of the same clay, they allow the model to
temperature range of 600°C - 800°C
contract evenly in the kiln, thus preventing
(1250F° - 1650°F). Once fired there is no
distortion. There is often much more clay
possibility that these colours can be
removed or altered.
used in the supports than in the actual
model, and they must. of course, be thrown
After the sculpture is fully completed, it is
away after they have served their purpose.
once again intensely examined. Most
Firing the work is the next phase in the
sculptures are produced in strictly limited
editions: limitations that are determined
process. The heat of the kiln is gradually
raised over a 24-hour period to the
primarily by the difficulties of production.
maximum temperature of 1200°C (2500°F).
Once an edition limit is reached. the moulds
This process makes vitrification possible.
are destroyed.
Upon completion of this initial (or "bisque")
Thus, after many long hours of agonizing
firing, a further twenty-four hours is needed
trial and error. that which was born in the
for cooling before the kiln door may be
imagination of the artist is now a reality - -
opened - always a tense moment. Props are
a dream realized in 'living' porcelain.