Bowl with Auspicious Ideographs and Floral Motifs
https://clevelandart.org/art/2022.243
As part of their work, members of the Seifu studio, and Seifū Yohei III (三代清風与平, Japanese, 1851–1914), in particular, engaged in the viewing and appreciation of Chinese ceramics. While they were not authenticators, they would have been familiar with imported examples of Chines...
Artifact
| id |
id
447838
|
|---|---|
| contentType |
contentType
object
|
| citation |
citation
|
| rights |
rights
CC0
|
| rightsUri |
rightsUri
CC0
|
| language |
language
en
|
| wikidata |
wikidata
[
"Q117706854"
]
|
| source |
source
import
|
| accession |
accession
2022.243
|
Source image fields (4)
| thumbnailUrl | https://openaccess-cdn.clevelandart.org/2022.243/2022.243_web.jpg |
|---|---|
| largeImageUrl | https://openaccess-cdn.clevelandart.org/2022.243/2022.243_web.jpg |
| iiifBase | https://openaccess-cdn.clevelandart.org/2022.243/2022.243_web.jpg |
| imageCount | 1 |
Terms
Culture
China, Ming dynasty (1368–1644)
Technique
Stoneware with overglaze color enamels
Genre
Ceramic
Department
Chinese Art
Relations
belongs_to