Cleveland Museum of Art Search

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"Old Man": From Sketchbook No.1, p. 46a

Hewit prepared carefully for the lithograph Old Man, as this is one of four drawings of the sitter in Sketchbook No. 1.

#164088

object

"Old Man": From Sketchbook No.1, p. 47

Hewit prepared carefully for the lithograph Old Man, as this is one of four drawings of the sitter in Sketchbook No. 1.

#164004

painting

"Old Pat," The Independent Beggar

1 img

With this study of a disheveled person—perhaps a man named Patrick MacGregor—the popular society portraitist Samuel Waldo challenged assumptions that successful New Yorkers may have made about their city's prosperity. Waldo sold many copies of an engraving portraying "Old Pat" and made a finished portrait of him called The Beggar's Dessert that included a meager bone and bowl as attributes. In this painting, the sitter's gaunt, careworn features suggest considering him in sympathetic terms, yet his forceful gaze presents him as someone who cannot easily be made into an object of pity.

#97421

object

"Only covered bridge in Summit City," from Sketchbook No.2, p. 97

The sketchbook page is inscribed "Only Covered Bridge in Summit Cty." Hewit’s sketchbooks and prints suggest that Cleveland’s industrial as well as bucolic environs inspired the subject matter for many local artists.

#164182

"Orrin, Make Haste, I Am Perishing"

1 img

#121562

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"Oh, Yeah?"

"Old Man": From Sketchbook No.1, p. 46a

"Old Man": From Sketchbook No.1, p. 47

"Old Pat," The Independent Beggar

"Only covered bridge in Summit City," from Sketchbook No.2, p. 97

"Orrin, Make Haste, I Am Perishing"

"Our America" Dinnerware

"Our America" Dinnerware

"Our America" Dinnerware

"Our America" Dinnerware

"Our America" Dinnerware