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photograph

Rothesay Pier No. 1

1 pp 1899

On the top of the print: Men, boys, and a girl lean over the railings of the pier, watching a steamer which lies alongside. On the bottom of the print: Beyond the pier on the left, a steamer ; in the middle, steps with numerous figures on them mounting to the pier ; on the right, more figures, the funnel of another steamer and a boat low down in the foreground.

#2227ns33z

photograph

Rothesay Pier No. 1

1 pp 1899

Men, boys, and a girl lean over the railings of the pier, watching a steamer which lies alongside.

#2227ns35h

photograph

Rothesay Pier No. 2

1 pp 1899

Beyond the pier on the left, a steamer ; in the middle, steps with numerous figures on them mounting to the pier ; on the right, more figures, the funnel of another steamer and a boat low down in the foreground.

#2227ns372

photograph

Rothesay Pier No. 2

1 pp 1899

#2227ns39m

photograph

Rothesay Pier no. 1

1 pp 1899

Men, boys, and a girl lean over the railings of the pier, watching a steamer which lies alongside.

#2227ns31d

photograph

Rouen

1 pp 1920

On the left the spire of St. Ouen is the most conspicuous object. The verge of the Seine runs along the left side beneath the road which passes between the houses and with another beyond it, crosses the river to the right. In the foreground the artist's son Stephen is seated sketching, on a wooden wharf. The wall sloping down to the water, below the quay, has been much darkened around the men with a fishing-rod and beyond the big barge. The dark ends of the houses all along the riverside to right of the spire have been further darkened. A flag-staff has been added to the tower on the island. The funnel of a steamer 5 1/4 inches from the right end of the plate is still white.

#2227p156w

photograph

Rouen

1 pp 1920

#2227p158f

photograph

Rouen

1 pp 1920

On the left the spire of St. Ouen is the most conspicuous object. The verge of the Seine runs along the left side beneath the road which passes between the houses and with another beyond it, crosses the river to the right. In the foreground the artist's son Stephen is seated sketching, on a wooden wharf. The shading on the planks in the foreground is extended. Zigzag shading runs along the centre, near the bottom of the plate, and further to the right, beneath Stephen Bone, and there are many isolated flicks.

#2227p154b

photograph

Rye from Camber

1 pp 1907

The same composition as Dodgson number 204, with the omission of the sailing boats to right of the hut, and of the man and dog. In the foreground is nothing but sand. Before the chimney on the wooden hut and the trees which break the outline of the hill on the extreme left.

#2227nw575

photograph

Rye from Camber

1 pp 1907

The same composition as Dodgson number 204, with the omission of the sailing boats to right of the hut, and of the man and dog. In the foreground is nothing but sand. The gap in outline of mast has been filled in, and the line to right of it is double. A line slants down to the left from the M of the signature, becoming very faint in the later impressions.

#2227nw61r

photograph

Rye from Camber

1 pp 1907

The same composition as Dodgson number 204, with the omission of the sailing boats to right of the hut, and of the man and dog. In the foreground is nothing but sand. There is a gap in the outline of the mast of the boat nearest to the wooden hut, 74 mm. from the right side of the plate. A line slanting downwards immediately to right of this broken outline is single.

#2227nw59q

photograph

Rye from Camber

1 pp 1907

#2227nw55m

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Rothesay Pier No. 1

Rothesay Pier No. 1

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Rothesay Pier no. 1

Rouen

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Rye from Camber

Rye from Camber

Rye from Camber

Rye from Camber