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photograph

The Jetty, Gorleston

1 pp 1935

The Jetty, an old wooden structure, projects into the sea on both sides of the Yare, at Its mouth. Along the Jetty on the near side lie several fishing rods ready for use; one man is fishing, with his right foot resting on the rail at the Jetty's edge. On the left is a small building with an old-fashioned wooden tower (on the top of It a wooden staff) and beyond it a harbour lighthouse. About a dozen men are busy among logs and blocks of stone on the Jetty, and the last of them, near the middle of the plate, holds a rod. Similar small patches of heavy dry-point and short curved lines extend to a total instance of 6 in. from the left end of the plate. Beyond these are older outlines of stones which have been burnished out.

#2227p3020

photograph

The Jew's Quarter, Leeds

1 pp 1908

A modern Gothic church with a square tower stands on a hill In the distance. The street that leads towards it slopes down to a point at which it curves round to the right beneath the church. In the left-hand portion, marked off by a ruled line from the Leeds subject, is an unfinished portrait head of the artist, leaning forward and looking up; the tie, coat-collar and outline of the left shoulder are put in. This shows the original purpose for which the plate, treated as an upright, was intended; the portrait dates from the same period as Dodgson Nos. 245 and 246.

#2227nx30z

photograph

The Jew's Quarter, Leeds

1 pp 1921

A modern Gothic church with a square tower stands on a hill In the distance. The street that leads towards it slopes down to a point at which it curves round to the right beneath the church. The flag-staff removed. The flag-stones on the left are darkened; the three houses have been lightened, and are only slightly darker than the rest. The sky is still white.

#2227nx32h

photograph

The Jews' Quarter, Leeds

1 pp 1921

A modern Gothic church with a square tower stands on a hill In the distance. The street that leads towards it slopes down to a point at which it curves round to the right beneath the church. The sky is darkened with rain clouds. Hills are drawn in behind the church, and a tall chimney rises from behind the houses on the right, pouring out smoke to the left over the pinnacles of the church tower. The front of the house next the edge of the plate has been partially darkened again.

#2227nx342

photograph

The Lanterna, Genoa

1 pp 1912

The tall lighthouse, from which the plate is named, rising from a rock in the middle distance. On the shore some men are engaged in breaking up an old ship, one end of which projects towards the left into the sea. The end of the house is darkened, with strong burr. The fragment of a ship near the left end of the plate has been much darkened.

#2227nz569

photograph

The Lanterna, Genoa

1 pp 1912

The tall lighthouse, from which the plate is named, rising from a rock in the middle distance. On the shore some men are engaged in breaking up an old ship, one end of which projects towards the left into the sea. The end of the house has been much lightened; it is now seen to be shaded with light horizontal lines.

#2227nz58v

photograph

The Meon Valley from Butser Hill

1 pp 1914

A wide view of hills, fields and hedges, with a shower falling to the right.

#2227p012m

photograph

The Montelbaan tower, Amsterdam

1 pp 1913

A round tower with an octagonal upper storey, surmounted by a belfrey under repair, juts out into the water from a quay which is lined, beyond the tower, with trees. To left of the tower are houses. In the foreground are barges, one of which, to the right, lies against a pair of mooring-posts. The bulwark continued to the edge of the plate.

#2227nz925

photograph

The New Bridge, Fribourg, Switzerland

1 pp 1930

The river Sarine is spanned by the lofty Zähringen bridge of which three arches are seen, cutting the height of the plate into approximately equal halves. Above the bridge is the lofty tower of a Gothic church, St. Nicholas, dominating other buildings in the town. Done from nature in March, 1930, after the artist's return from Constantinople.

#2227p2627

photograph

The Plaza, Fifth Avenue and the Hecksher building

1 pp 1898

Night scene looking across the Plaza to the old Vanderbilt house and the Hecksher Building.

#2227p362f

photograph

The Port of Genoa from the right

1 pp 1913

An unfinished sketch of the harbour, with the lighthouse as its most conspicuous object, drawn from a hill behind Genoa. The horizontal line i.e. high.

#2227nz62f

photograph

The Provost's boathouse, Culross No. 2

1 pp 1909

The same composition as Dodgson number 259, but two boats lie in the water at the door of the boathouse, the stern of one being in the shadow within the opening.

#2227nx86t

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The Jetty, Gorleston

The Jew's Quarter, Leeds

The Jew's Quarter, Leeds

The Jews' Quarter, Leeds

The Lanterna, Genoa

The Lanterna, Genoa

The Meon Valley from Butser Hill

The Montelbaan tower, Amsterdam

The New Bridge, Fribourg, Switzerland

The Plaza, Fifth Avenue and the Hecksher building

The Port of Genoa from the right

The Provost's boathouse, Culross No. 2