more Search

photograph

Book-plate of Don Siro Morozzi

1 pp 1911

A fountain is seen through an arched doorway in a wall surmounted by a shrine of the Madonna. Trees rise above the wall, and Ladonna lilies grow at its foot. On the front of the wall are the words: Ex Libris D. Siri Morozzi. The plate, etched at Settignano from a drawing, was presented by the artist to the Tuscan parish priest whose name it bears.

#2227nz00f

photograph

Bookplate of Dr. Sidney Vere Pearson

1 pp 1908

A small river winds through a valley to the sea. In front of a cliff to the left a breakwater projects into the sea, protecting a small harbour in which a sailing vessel is at anchor. The line enclosing the landscape has been continued to enclose the inscription arid a white space beneath it. The lettering is still partly open; the second arm of the X, for Instance, is formed of two distinct lines with a space between them.

#2227nx42r

photograph

Bookplate of Dr. Sidney Vere Pearson

1 pp 1908

#2227nx449

photograph

Bookplate of Dr. Sidney Vere Pearson

1 pp 1910

A small river winds through a valley to the sea. In front of a cliff to the left a breakwater projects into the sea, protecting a small harbour in which a sailing vessel is at anchor. The plate is bevelled and steel-faced. The first edition, August 1910, consisted of one hundred and fifty-one copies.

#2227nx46v

photograph

Bookplate of Lincoln College, Oxford

1 pp 1904

The arms of the College surmount a view of part of the buildings with trees at either end. The date 1427 is divided by the mitre above the escutcheon. After the completion of the work two proofs were printed from the copper before steel-facing. These differ slightly in quality, but not in state, from the ordinary impressions of the book plate.

#2227nv35x

photograph

Bowling Harbour

1 pp 1900

Across the water, near the middle of the plate, is a shed with a tall chimney ; to the left of this a dwelling-house, to the right and nearer the front a sailing vessel with three masts. A long, dark hill, dipping for a short space above the white roof of the shed and rising again towards the right, forms the background. The whole scene, but especially the harbour in the foreground, is hastily and somewhat indistinctly sketched. With the man in the foreground ; the foreground generally more finished.

#2227ns550

photograph

Breakwater, Falmouth

1 pp 1898

The breakwater is seen in the centre at right. In the foreground are boats and in the distance beyond the entrance to the harbor the hills appear.

#2227p316b

photograph

Brewhouses, Southampton

1 pp 1904

On the left, behind a fence, are buildings half hidden by trees and a tall mast carrying a weathercock. In the distance on the right are willow trees and boats, and a rowing boat lies stranded in the foreground.

#2227nv13w

photograph

Brooklyn studio

1 pp 1923

A large studio in which canvases stand against a wail, on the left is a long rod suspended by tackle from the ceiling. In the far wall are a high, narrow window and a broad low one, placed high In the wall. Two men stand towards the left, and more to the right are a man sitting on a small table and another seated in an easy chair.

#2227p276k

photograph

Broomielaw Bridge

1 pp 1899

The building of a new bridge at Glasgow. On the left workmen are engaged in erecting or repairing a crane ; in the distance across the river is a building of five storeys, on which Paisleys, Lithographer, Gillespie, Foreign & Colonial Outfitter, and similar announcements may be read. On the extreme right a cart is crossing the old bridge, which is very slightly indicated in dry point; the whole plate remains very unfinished.

#2227nr979

photograph

Broomielaw

1 pp 1899

In the background a building, marked Waiting Rooms with a clock tower and several masts rising above it. In the foreground a man, two women and three children are grouped round a costermonger's cart. At the foot of the print is the inscription, End of the ten plates of Glasgow : Etched by Muirhead Bone.

#2227ns27t

photograph

Building

1 pp 1904

The building of a new house (No. 110, New Bond Street) at the corner of Brook Street in the summer of 1904. All the apparatus of scaffolding, cords and pulleys is drawn with great elaboration and many workmen are to be seen standing on ladders or planks at various elevations. Three carts are drawn up close to the building and two others are going down Brook Street to the right. A dark shadow, varying much in the different states, is thrown across the street by the houses on the near side. The work is very unfinished, and both proofs of this state are largely retouched with pen and ink, one of them (R.) so much so as to rank rather as a drawing than as a print. It was exhibited as a drawing at the New English Art Club in November, 1904. In the other (B.) the whole foreground is covered with a dark wash. Two placards are attached to the building.

#2227p384g

Survos folio core type search

more

Filters

Book-plate of Don Siro Morozzi

Bookplate of Dr. Sidney Vere Pearson

Bookplate of Dr. Sidney Vere Pearson

Bookplate of Dr. Sidney Vere Pearson

Bookplate of Lincoln College, Oxford

Bowling Harbour

Breakwater, Falmouth

Brewhouses, Southampton

Brooklyn studio

Broomielaw Bridge

Broomielaw

Building