In the foreground is a Suffolk road, on which a cart stands still while the driver, a woman, converses with a man who carries a burden on his shoulder. At the extreme left is a house with an external flight of steps. In the middle distance is the ferry. In the further shore is a lighthouse and a square church tower is seen among the trees.
In the foreground is a Suffolk road, on which a cart stands still while the driver, a woman, converses with a man who carries a burden on his shoulder. At the extreme left is a house with an external flight of steps. In the middle distance is the ferry. In the further shore is a lighthouse and a square church tower is seen among the trees. The mast near the cart on the left has been removed. There Is still a man standing by the wall on the left.
In the foreground is a Suffolk road, on which a cart stands still while the driver, a woman, converses with a man who carries a burden on his shoulder. At the extreme left is a house with an external flight of steps. In the middle distance is the ferry. In the further shore is a lighthouse and a square church tower is seen among the trees. A tall, thin post now rests against the projecting dark mass on the left, the outline of which has been made smoother.
In the foreground is a Suffolk road, on which a cart stands still while the driver, a woman, converses with a man who carries a burden on his shoulder. At the extreme left is a house with an external flight of steps. In the middle distance is the ferry. In the further shore is a lighthouse and a square church tower is seen among the trees.
The east side of Waterloo Place. reversed, with the United Service Club on the left, and Carlton House Terrace in the distance beyond. The buildings continued to the end; with lines in the street. A taxi-cab has bean inserted in front of the building which had a high arched window, in shadow, on the first floor of its end wall.
The east side of Waterloo Place. reversed, with the United Service Club on the left, and Carlton House Terrace in the distance beyond. The buildings end 75 mm from the left end of the plate.
In the courtyard of some (imaginary) institution - prison or asylum - women take exercise, walking in couples. They are watched by a warder who stands near a long covered passage, open at the sides, which skirts an octagonal building. The lofty and somewhat fantastic pile of buildings across the yard stands in strong light and deep shadow. The foreground is heavily shaded, but at the foot of the print is a white strip which contains the title, lightly etched.
Towards the left is the Cathedral, then buildings of the city and to the right the high tower of St. Cuthbert's church. Before all these buildings are trees and in the foreground a field with some horses on the further side. Shading added to left of this tree and on the right extending to some light shading which already existed on the grass.
Unfinished. The south end of the bridge is seen; near it are steps mounting from the water to an old-fashioned house. To the right, adjoining the steps, a white warehouse of five storeys rises sheer from the river. Only one arch of the bridge is indicated, and the buildings above it end abruptly 3 1/2 in. from the left side of the plate.
Unfinished. The south end of the bridge is seen; near it are steps mounting from the water to an old-fashioned house. To the right, adjoining the steps, a white warehouse of five storeys rises sheer from the river. 4 arches of the bridge are put in, two of them being partially shaded. There are additional buildings on the left, extending, like the bridge itself, to the edge of the plate.