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Source Description

This scene depicts the story of Bathsheba as described in the Old Testament book of 2 Samuel (11:2). Bathsheba was the wife of one of King David’s military commanders, and here, King David surreptitiously violates her privacy by gazing at her from his palace while she bathes. King David’s infatuation with Bathsheba will lead him to order her husband’s death and take her as his wife. In the biblical account, God punishes David by causing his and Bathsheba’s newborn son to die.The only witness to the King’s aggression, Bathsheba’s servant—here shown as a Black woman although her race is not mentioned in the biblical passage—provides the focal point of tension in the visual narrative depicted here. The artist may have depicted the servant as Black both to draw attention to her pivotal role as witness and to reflect contemporary experience in Venice. Venetian painters, such as Bordone, were particularly known for their ability to paint beautiful women. The painting is characteristic of Bordone’s fondness for fantastic architectural settings and deep perspective.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 271, p. 398.

Scholar Source Context

Document identity
localId
18623
label
David and Bathsheba
core
obj
dtoType
drawing
pageCount
2
Source metadata
id
18623
contentType
drawing
stage
normalized
title
David and Bathsheba
description
This scene depicts the story of Bathsheba as described in the Old Testament book of 2 Samuel (11:2). Bathsheba was the wife of one of King David’s military commanders, and here, King David surreptitiously violates her privacy by gazing at her from his palace while she bathes. King David’s infatuation with Bathsheba will lead him to order her husband’s death and take her as his wife. In the biblical account, God punishes David by causing his and Bathsheba’s newborn son to die.The only witness to the King’s aggression, Bathsheba’s servant—here shown as a Black woman although her race is not mentioned in the biblical passage—provides the focal point of tension in the visual narrative depicted here. The artist may have depicted the servant as Black both to draw attention to her pivotal role as witness and to reflect contemporary experience in Venice. Venetian painters, such as Bordone, were particularly known for their ability to paint beautiful women. The painting is characteristic of Bordone’s fondness for fantastic architectural settings and deep perspective.For more information on this painting, please see Federico Zeri's 1976 catalogue no. 271, p. 398.
provenance
Owned by Mrs. Donald B. Hebb, Baltimore; given to Walters Art Museum, 1956.
date
1540-1549 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
oil paintings (visual works)
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
114
height
145
depth
2.7
dimensionsRaw
Painted surface H: 44 7/8 × W: 57 1/16 × D: 1 1/16 in. (114 × 145 × 2.7 cm); Framed H: 58 7/8 × W: 71 1/2 × D: 4 5/16 in. (149.54 × 181.61 × 11 cm)
Source extras
med
oil on canvas
creator_ids
7039
collection_ids
REN
exhibition_ids
3453
Page inventory
seq
1
type
photo
mediaId
a93bed50653a0ad0
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
b2aafa2dfd109aa3
hasOcr
no
hasDescription
no