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Source Description
This watercolor is a study for La Farge's "Resurrection" window of 1894 for the First Congregational United Church of Christ, Methuen, Massachusetts, a memorial for local industrialist Henry Coffin Nevins (1843-1892). The enormous window measures 17 feet across and 11 feet high, and is said to contain some 8,000 pieces of glass. Julie Fanchette Henriette Nevins (d. 1904), Nevins' widow had brought La Farge to see the church in 1892, but unimpressed by the space he pursuaded her to build a new chancel with a single monumental window opening to frame his work. The chancel was designed by La Farge's son, the architect C. Grant La Farge of the firm Heins and La Farge (see James L. Yarnall, "John La Farge: A Biographic and Critical Study," 2012, p. 212). Christ appears in the center of the design in white surrounded by light, while robed figures to either side push away dark clouds. The finished window follows this study very closely (see Adams, Foster et al, "John La Farge," 1987, p. 214-218).
Scholar Source Context
Document identity
localId
36507
label
""Resurrection,"" Study for the Colonel Henry Coffin Nevins Memorial Window
core
obj
dtoType
drawing
citationUrl
pageCount
3
Source metadata
id
36507
sourceUrl
contentType
drawing
stage
normalized
title
""Resurrection,"" Study for the Colonel Henry Coffin Nevins Memorial Window
description
This watercolor is a study for La Farge's "Resurrection" window of 1894 for the First Congregational United Church of Christ, Methuen, Massachusetts, a memorial for local industrialist Henry Coffin Nevins (1843-1892). The enormous window measures 17 feet across and 11 feet high, and is said to contain some 8,000 pieces of glass. Julie Fanchette Henriette Nevins (d. 1904), Nevins' widow had brought La Farge to see the church in 1892, but unimpressed by the space he pursuaded her to build a new chancel with a single monumental window opening to frame his work. The chancel was designed by La Farge's son, the architect C. Grant La Farge of the firm Heins and La Farge (see James L. Yarnall, "John La Farge: A Biographic and Critical Study," 2012, p. 212). Christ appears in the center of the design in white surrounded by light, while robed figures to either side push away dark clouds. The finished window follows this study very closely (see Adams, Foster et al, "John La Farge," 1987, p. 214-218).
provenance
Owned by William Macbeth, New York; purchased by Henry Walters, New York, December 1907; by bequest to Walters Art Museum, 1931.
date
1894
citationUrl
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
watercolors (paintings)
imageCount
3
pageCount
3
source
import
dimensions
units
cm
width
49.8
height
60.6
dimensionsRaw
H: 19 5/8 x W: 23 7/8 in. (49.8 x 60.6 cm)
Source extras
inscriptions
[Signed and dated] lower left: J. Lafarge '94
med
watercolor on paper
creator_ids
7118
collection_ids
EAN
exhibition_ids
3031
Page inventory
seq
1
type
photo
mediaId
4bdcb2f72f17ed94
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
315993e65dcbf554
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
21d0e2541e0b64e5
hasOcr
no
hasDescription
no