Ask the Scholar

Document scope · 4 pages
obj
Scholar
Ask about this object, its catalog metadata, its source description, or the page inventory. For page-specific OCR and visual context, open one of the page chats.

Source Description

During an 1886-89 stay in Paris, this Boston painter experimented with working in oils outdoors. He gradually abandoned the dark-toned palette of the Barbizon masters for the brighter colors of the French Impressionists. Hassam named this study of a nude model, painted as if posed on a cliff, after the siren in the German poet Heinrich Heine's "Die Lorelei" (1827). In the poem, the Lorelei, a water spirit dwelling in the treacherous rocks along the Rhine River, lures ships to their destruction with her tantalizing singing:Night falls as I linger, dreaming, And calmly flows the Rhine;The Peaks of the mountains gleaming In the golden sunset shine.A wondrous lovely maiden Sits high in glory there;Her robe with gems is laden, And she combs out her golden hair.

Scholar Source Context

Document identity
localId
39695
label
The Lorelei
core
obj
dtoType
drawing
pageCount
4
Source metadata
id
39695
contentType
drawing
stage
normalized
title
The Lorelei
description
During an 1886-89 stay in Paris, this Boston painter experimented with working in oils outdoors. He gradually abandoned the dark-toned palette of the Barbizon masters for the brighter colors of the French Impressionists. Hassam named this study of a nude model, painted as if posed on a cliff, after the siren in the German poet Heinrich Heine's "Die Lorelei" (1827). In the poem, the Lorelei, a water spirit dwelling in the treacherous rocks along the Rhine River, lures ships to their destruction with her tantalizing singing:Night falls as I linger, dreaming, And calmly flows the Rhine;The Peaks of the mountains gleaming In the golden sunset shine.A wondrous lovely maiden Sits high in glory there;Her robe with gems is laden, And she combs out her golden hair.
provenance
Purchased by Henry Walters, Baltimore, possibly 1905 [1]; by bequest to Walters Art Museum, 1931.[1] this painting was possibly acquired at the National Academy of Design exhibition of 1905, where it won the Thomas B. Clarke Prize
date
1904
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
oil paintings (visual works)
imageCount
4
pageCount
4
source
import
dimensions
units
cm
width
63.8
height
53.5
dimensionsRaw
H: 25 1/8 x W: 21 1/16 in. (63.8 x 53.5 cm); Framed H: 38 × W: 32 11/16 × D: 3 3/8 in. (96.5 × 83 × 8.5 cm)
Source extras
inscriptions
[Signature] Lower right: Childe Hassam; [Date] Lower right: 1904
med
oil on canvas
creator_ids
2444
collection_ids
EAN
exhibition_ids
2728
Page inventory
seq
1
type
photo
mediaId
59d558c3a78ad52d
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
7aceeb5045fe7092
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
aefc6e7a038bdcbb
hasOcr
no
hasDescription
no
seq
4
type
photo
mediaId
561e3d4025a9099c
hasOcr
no
hasDescription
no