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Source Description
Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. These colorful compositions created complex narrative scenes which paralleled manuscript painting. The combination of leisurely activities with more warrior-like occupations, such as hunting, was frequently used in the medieval Persian iconography of kingship. This is referred to as bazm wa razm, or feasting and fighting. Two horsemen face each other across the center of this footed bowl, charging towards the tree that rises to mark the central line of the bowl. Two seated figures and stylized birds frame the scene. A kufic pseudo-inscription on a black band runs about the interior rim, while a naskhi inscription encircles the exterior of the bowl.
Scholar Source Context
Document identity
localId
19082
label
Bowl with Two Horsemen on Either Side of a Tree
core
obj
dtoType
object
citationUrl
pageCount
7
Source metadata
id
19082
sourceUrl
contentType
object
stage
normalized
title
Bowl with Two Horsemen on Either Side of a Tree
description
Mina’i is a modern collectors’ term for ceramics made in Iran during the late 12th to early 13th centuries. The term mina’i, translates as “enamelled” in Persian, designating the colored glass pigments used to paint detailed figural decoration on vessels or tiles, which were then fixed on the ceramic base by multiple firings. The use of a wide range of colors, including turquoise, red, green, purple, and black, also led these types of ceramics to be called by the Persian term “haft rang,” or “seven colors.”Mina’i ware scenes often depict courtly pursuits, such as feasting, fighting, or poetry and music performances. These colorful compositions created complex narrative scenes which paralleled manuscript painting. The combination of leisurely activities with more warrior-like occupations, such as hunting, was frequently used in the medieval Persian iconography of kingship. This is referred to as bazm wa razm, or feasting and fighting. Two horsemen face each other across the center of this footed bowl, charging towards the tree that rises to mark the central line of the bowl. Two seated figures and stylized birds frame the scene. A kufic pseudo-inscription on a black band runs about the interior rim, while a naskhi inscription encircles the exterior of the bowl.
provenance
Dikran Kelekian, Constantinople and Paris, [date of acquisition unknown], by purchase [as found at Rhadjes]; Henry Walters, Baltimore, 1914, by purchase; Walters Art Museum, 1931, by bequest.
date
late 12th-early 13th century (Seljuq (?))
citationUrl
rightsUri
CC0
language
en
genreSpecific
bowls (vessels)
imageCount
7
pageCount
7
source
import
dimensions
units
cm
width
8.1
height
19.7
dimensionsRaw
Overall: 3 3/16 x 7 3/4 in. (8.1 x 19.7 cm)
Source extras
med
fritware, turquoise underglaze, black, blue, dark green, pink, red, and whiteoverglaze enamel, with traces of gilding
creator_ids
6768
collection_ids
none
exhibition_ids
548
Page inventory
seq
1
type
photo
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photo
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type
photo
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type
photo
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type
photo
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type
photo
mediaId
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no
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no
seq
7
type
photo
mediaId
8856a456a71a0f6b
hasOcr
no
hasDescription
no