Ask the Scholar
Document scope · 1 page
Scholar
Ask about this object, its catalog metadata, its source description, or the page inventory.
For page-specific OCR and visual context, open one of the page chats.
Source Description
Two overlapping squares with a common diagonal create the cube in the upper diagram. The Sun is portrayed in the upper left corner, the Moon in the lower right. The four elements, Earth, Air, Fire, and Water, along with their respective properties, occupy the cube's upper square. The wheel-shaped diagram in the bottom part of the page visualizes the idea that Man is a microcosm of the universe, and the universe a macrocosm of Man. Within the ring at center are the words (reading from top to bottom) "World," "Man," and "Year." The eight intersecting arcs illustrate the relationships among the parts of the world – the four elements, the four bodily humors, and the four seasons. The cross shape created by the arcs expresses Christ's role in restoring to nature its original harmony, order, and meaning, believed to have been disrupted by the Fall of Man.
Scholar Source Context
Document identity
localId
34785
label
Diagrams of a Cube, and the Microcosmic-Macrocosmic Harmony
core
obj
dtoType
object
citationUrl
pageCount
1
Source metadata
id
34785
sourceUrl
contentType
object
stage
normalized
title
Diagrams of a Cube, and the Microcosmic-Macrocosmic Harmony
description
Two overlapping squares with a common diagonal create the cube in the upper diagram. The Sun is portrayed in the upper left corner, the Moon in the lower right. The four elements, Earth, Air, Fire, and Water, along with their respective properties, occupy the cube's upper square. The wheel-shaped diagram in the bottom part of the page visualizes the idea that Man is a microcosm of the universe, and the universe a macrocosm of Man. Within the ring at center are the words (reading from top to bottom) "World," "Man," and "Year." The eight intersecting arcs illustrate the relationships among the parts of the world – the four elements, the four bodily humors, and the four seasons. The cross shape created by the arcs expresses Christ's role in restoring to nature its original harmony, order, and meaning, believed to have been disrupted by the Fall of Man.
provenance
Gruel and Englemann Collection, Paris [1]; acquired by Henry Walters, Baltimore, 1903; by bequest to Walters Art Museum, 1931.[1] no. 131, bookplate on inside upper board
date
late 12th century
citationUrl
rightsUri
CC0
language
en
genreSpecific
illuminated manuscripts
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
26.7
height
15.5
dimensionsRaw
H: 10 1/2 × W: 6 1/8 in. (26.7 × 15.5 cm)
Source extras
style
Romanesque
med
ink and pigments on medium-weight parchment
creator_ids
6197
5316
collection_ids
MSS
exhibition_ids
2872
Single page context
seq
1
pageIndex
0
type
photo
mediaId
b02185cbcaf91b59