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Source Description
In the center of this dish, two horsemen direct their spears at a lion whose front paws are on the left knee of another rider lying with his dead horse in the foreground. To the left, a woman stands and holds a long staff. This dramatic scene was taken from an engraving by Giovanni Antonio da Brescia (1490-1525) that reproduced a relief from an ancient Roman sarcophagus displayed in Saint Peter’s Basilica in Rome. The plate has been attributed to Baldassare Manara, one of the most prominent maiolica painters of the sixteenth century, who often adapted compositions from popular prints into his wares. In this composition, the painter adds new character to the original engraving by separating the figures for greater clarity, and expanding the background to include a landscape filled with rocks, trees, and strange buildings. To the artist's audience, the subject of a lion hunt would have evoked a heroic ancient past. The back is painted bluish-white. For more information on “maiolica,” see 48.1336
Scholar Source Context
Document identity
localId
36602
label
Dish with Lion Hunt
core
obj
dtoType
object
citationUrl
pageCount
2
Source metadata
id
36602
sourceUrl
contentType
object
stage
normalized
title
Dish with Lion Hunt
description
In the center of this dish, two horsemen direct their spears at a lion whose front paws are on the left knee of another rider lying with his dead horse in the foreground. To the left, a woman stands and holds a long staff. This dramatic scene was taken from an engraving by Giovanni Antonio da Brescia (1490-1525) that reproduced a relief from an ancient Roman sarcophagus displayed in Saint Peter’s Basilica in Rome. The plate has been attributed to Baldassare Manara, one of the most prominent maiolica painters of the sixteenth century, who often adapted compositions from popular prints into his wares. In this composition, the painter adds new character to the original engraving by separating the figures for greater clarity, and expanding the background to include a landscape filled with rocks, trees, and strange buildings. To the artist's audience, the subject of a lion hunt would have evoked a heroic ancient past. The back is painted bluish-white. For more information on “maiolica,” see 48.1336
provenance
Don Marcello Massarenti Collection, Rome; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1520-1547 (Renaissance)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Ceramics
dishes
imageCount
2
pageCount
2
source
import
dimensionsRaw
10 13/16 in. (27.4 cm) (w.)
Source extras
med
earthenware with tin glaze (maiolica)
creator_ids
6384
15491
collection_ids
REN
exhibition_ids
1988
Page inventory
seq
1
type
photo
mediaId
c04bea76399199e3
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
2a6325274815b701
hasOcr
no
hasDescription
no